Transnational Chinese Cinemas: Identity, Nationhood, Gender

Εξώφυλλο
University of Hawaii Press, 1 Οκτ 1997 - 428 σελίδες

Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow.

Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history.

This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.

 

Επιλεγμένες σελίδες

Περιεχόμενα

AntiImperialism and Film Censorship During the Nanjing Decade 19271937
35
Two Stage Sisters The Blossoming of a Revolutionary Aesthetic
59
From Minority Film to Minority Discourse Questions of Nationhood and Ethnicity in Chinese Cinema
81
National Cinema Cultural Critique Transnational Capital The Films of Zhang Yimou
105
The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong
137
Constructing a Nation Taiwanese History and the Films of Hou Hsiaohsien
139
The Diaspora in Postmodern Taiwan and Hong Kong Film Framing Stan Lais The Peach Blossom Land with Allen Fongs Ah Ying
169
Breaking the Soy Sauce Jar Diaspora and Displacement in the Films of Ang Lee
187
Reading Formations and Chen Kaiges Farewell My Concubine
265
The New Woman Incident Cinema Scandal and Spectacle in 1935 Shanghai
277
Gendered Perspective The Construction and Representation of Subjectivity and Sexuality in Ju Dou
303
The Concubine and the Figure of History Chen Kaiges Farewell My Concubine
331
Narrative Images of the Historical Passion Those Other WomenOn the Alterity in the New Wave of Chinese Cinema
347
Chinese Glossary
361
Filmography
369
Bibliography
379

Transnational Action John Woo Hong Kong Hollywood
221
Jackie Chan and the Cultural Dynamics of Global Entertainment
239
Engendering History and Nationhood CrossCultural and Gendered Perspectives
263
Notes on Contributors
403
Index
407
Πνευματικά δικαιώματα

Άλλες εκδόσεις - Προβολή όλων

Transnational Chinese Cinemas: Identity, Nationhood, Gender
Sheldon H. Lu
Περιορισμένη προεπισκόπηση - 1997
Transnational Chinese Cinemas: Identity, Nationhood, Gender
Sheldon H. Lu
Προβολή αποσπασμάτων - 1997
Transnational Chinese Cinemas: Identity, Nationhood, Gender
Sheldon H. Lu
Δεν υπάρχει διαθέσιμη προεπισκόπηση - 1997

Συχνά εμφανιζόμενοι όροι και φράσεις

actress aesthetic American Ang Lee Asian audience Beijing British Film Institute Cai Chusheng Chan's character Chen Kaige Cheng China Chinese cinema Chinese culture Chinese film Chow Chunhua City of Sadness contemporary critical critique Dieyi director discourse essay ethnic Farewell My Concubine father female film censorship film industry Film Studio film's filmmakers foreign films gender global Hollywood Hong Kong cinema Hong Kong films identity Jackie Chan Japanese Jiang Jinshan John Woo Ju Dou Lee's Lu Xun Mainland male minzu modern Chinese movie narrative Nationalist nese nüxing opera political production Qing Red Lantern Red Sorghum representation Ruan Lingyu scene screen sexual Shanghai shot social Stage Sisters star story studies Taiwan Taiwanese theater Tianbai Tianqing tion traditional transnational University Press viewer visual Wang Wei Ming Western woman women Woo's Xiao Xie Jin Ying Zhang Yimou Zhongguo dianying

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Πληροφορίες βιβλιογραφίας

ΤίτλοςTransnational Chinese Cinemas: Identity, Nationhood, Gender
Film studies / Chinese cinema
ΣυγγραφέαςSheldon H. Lu
Έκδοσηεικονογραφημένη
ΕκδότηςUniversity of Hawaii Press, 1997
ISBN0824818458, 9780824818456
Μέγεθος428 σελίδες
  
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