Great Choreographers-InterviewsAuthorHouse, 7 Απρ 2014 - 206 σελίδες In this book, the reader will find some of the most important choreographers, artists who helped to shape the dance scene as it is today, from icon Pina Bausch to still-thriving figures such as Xavier Le Roy, Sasha Waltz, and more. Through this compilation of interviews conducted over the course of twenty years, Natasha Hassiotis aims to show on the one hand the choices made by the audience, the agents, and the festivals, and on the other hand, to show through discussions with choreographers what they have to say about their relation to their art, their audiences, and their dancers. A readable material by specialists and non-specialists alike, this work may help people who think of contemporary dance as a difficult-to-decipher idiom to familiarize themselves with this very old and popular art form. |
Περιεχόμενα
1 | |
4 | |
7 | |
Claude Brumachon 1959 | 12 |
Norbert Servos 1956 | 17 |
Trisha Brown 1936 | 22 |
Alito Alessi 1954 | 28 |
Helena Waldmann 1962 | 33 |
Sasha Waltz 1963 | 88 |
Angelin Preljocaj 1957 | 96 |
Via Katlehong Dance | 101 |
Sonia Baptista 1973 | 104 |
Emanuel Gat 1969 | 106 |
Carmen Mota | 109 |
Janet Eilber 1951
on Martha Graham | 112 |
Tory Dobrin 1954
on the Ballets Trockadero de Monte Carlo | 119 |
Millicent Hodson Kenneth Archer
Ballets Old New | 38 |
Wim Vandekeybus 1963 | 43 |
Charles Linehan | 46 |
Cristina Hoyos 1946 | 50 |
Thomas Plischke 1975 Kattrin Deufert 1973 | 55 |
Richard Alston 1948 | 59 |
Xavier Le Roy 1963 | 64 |
Jérôme Bel 1964 | 68 |
Juan Kruz de Garaio Esnaola 1966
Luc Dunberry 1969 | 72 |
Sidi Larbi Cherkaoui 1976 | 78 |
Prue Lang 1972 | 82 |
Carmen De Lavallade 1931 | 85 |
Heinz Spoerli 1940 | 122 |
Hofesh Shechter 1975 | 126 |
Ohad Naharin 1952 | 129 |
Dominique Boivin 1952 | 133 |
Koen Augustijnen 1967 | 136 |
Akram Khan 1974 | 139 |
Frederic Flamand 1946 | 142 |
Vera Mantero 1966 | 145 |
Jonathan Burrows 1960 | 148 |
Gerda König 1966 | 153 |
Mark Baldwin | 160 |
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
artistic director audience become body Butoh career choreographer collaboration contemporary dance create creative culture Dance Company dance scene dance theatre dancers decide develop disabilities duet elements everything example exists experience express feel festival flamenco future genre Greece happening idea Ijust important improvisation influenced inspired interested Isadora issues language Lester Horton live Martha Graham material Maurice Béjart mean Merce Cunningham modern dance movement narrative Nonetheless ofthe onstage Opera performances person piece Pina Bausch plans political present Rambert rehearsals relationship role Royal Ballet Sankai Juku Sasha Waltz Schaubuehne sense situation somehow someone sometimes space specific started story studied style Sylvie Guillem talk technique theatrical things titled today’s touring tradition Trisha Brown understand viewer Vima Wim Vandekeybus