Gothenburg Studies in English, Τόμος 601952 |
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Σελίδα 123
... McGrath describes as " backward features and deformations " . He goes on explaining that a great deal of popular theatre has got to be ' about ' a socialist criticism of the audience . But is this possible without insulting or driving ...
... McGrath describes as " backward features and deformations " . He goes on explaining that a great deal of popular theatre has got to be ' about ' a socialist criticism of the audience . But is this possible without insulting or driving ...
Σελίδα 125
... ( McGrath ) runs the risk of his plays becoming dated by the passage of time but it is 23 a risk he is prepared to take " . None of McGrath's critics has so far taken on the task of examining in some detail the spontaneity of the Scottish ...
... ( McGrath ) runs the risk of his plays becoming dated by the passage of time but it is 23 a risk he is prepared to take " . None of McGrath's critics has so far taken on the task of examining in some detail the spontaneity of the Scottish ...
Σελίδα 126
... McGrath and 7:84 . 9. P. 6 ; italics mine . 10. John McGrath , A Good Night Out . Popular Theatre : Audience , Class and Form ( London : Eyre Methuen , 1981 ) , pp . 20 , 21. The book is the published version of a series of lectures ...
... McGrath and 7:84 . 9. P. 6 ; italics mine . 10. John McGrath , A Good Night Out . Popular Theatre : Audience , Class and Form ( London : Eyre Methuen , 1981 ) , pp . 20 , 21. The book is the published version of a series of lectures ...
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Karin Aijmer JUST | 1 |
Jens Allwood ON RELEVANCE IN SPOKEN INTERACTION | 18 |
Charles Barber LINGUISTIC CHANGE IN PRESENTDAY | 36 |
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