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Αποτελέσματα 1 - 5 από τα 89.
Σελίδα x
... Tragedy is potential in the psychology the play develops, and the moon looks down with a watery eye. That tragedy is averted is a piece of good luck, but that isn't why we are happy. The play makes us happy because it finds serious ...
... Tragedy is potential in the psychology the play develops, and the moon looks down with a watery eye. That tragedy is averted is a piece of good luck, but that isn't why we are happy. The play makes us happy because it finds serious ...
Σελίδα xix
... tragedy or tragicomedy, the hybrid form Shakespeare finds most congenial, they are seen to be responsible agents. Failing the perception of responsibility, the audience wearies of the play of stick figures, or it complains of morbidity ...
... tragedy or tragicomedy, the hybrid form Shakespeare finds most congenial, they are seen to be responsible agents. Failing the perception of responsibility, the audience wearies of the play of stick figures, or it complains of morbidity ...
Σελίδα xx
... tragedy, no doubt, but in the histories and comedies too, his agon is primarily moral. I don't say moralizing, never that. Whether the hero wins or loses or even lives or dies isn't the play's matter of moment. Banquo in Macbeth ...
... tragedy, no doubt, but in the histories and comedies too, his agon is primarily moral. I don't say moralizing, never that. Whether the hero wins or loses or even lives or dies isn't the play's matter of moment. Banquo in Macbeth ...
Σελίδα xxi
... tragedy happens, or perhaps men and women are too slight for tragedy and the play begets laughter, not tears. “The will of man is by his reason swayed,” says an inconstant lover in A Midsummer Night's Dream (2.2). But Lysander in the ...
... tragedy happens, or perhaps men and women are too slight for tragedy and the play begets laughter, not tears. “The will of man is by his reason swayed,” says an inconstant lover in A Midsummer Night's Dream (2.2). But Lysander in the ...
Σελίδα xxiii
... tragedies, therefore the clearest, like a narrow shaft driven deep into darkness. Illusion, incarnate in the airborne dagger, leads the hero on and confounds him. Equivocal sayings beguile his “dull brain,” taking his “reason prisoner ...
... tragedies, therefore the clearest, like a narrow shaft driven deep into darkness. Illusion, incarnate in the airborne dagger, leads the hero on and confounds him. Equivocal sayings beguile his “dull brain,” taking his “reason prisoner ...
Περιεχόμενα
1 | |
25 | |
Shadows of Himself | 79 |
WildGoose Chase | 107 |
A Motley to the View | 136 |
For Ted and Lloyd St Antoine | 155 |
The Dyers Hand | 163 |
Index | 195 |
Sailing to Illyria 65 | 65 |
Fools of Nature 101 | 101 |
PR2894 F65 2007 | 106 |
Treason in the Blood 134 | 134 |
The Wine of Life 160 | 160 |
Bravest at the Last 188 | 188 |
Unpathed Waters Undreamed Shores | 217 |
Journeys End | 247 |
Includes bibliographical references and index | 1 |
The Revolution of the Times 34 | 34 |
Index | 281 |
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Συχνά εμφανιζόμενοι όροι και φράσεις
actors bear beginning better blood called characters church comedy comes Court dark death died Earl early England English fall father fields followed gave gives Greene ground Hamlet hand head heart Henry hero hopeful isn't John Jonson King knew land later leaves less lived London looks Lord lost master means meant mind moral nature needed never Night once perhaps play playwright poem poet Queen readers reason remembered Richard says scene seems Shake Shakespeare shows side sometimes sonnets speare speare's stage stands story Stratford Street suggests tells theater things thinks Thomas thought took tragedy true truth turned wanted wrote young