Literature and the Marketplace: Romantic Writers and Their Audiences in Great Britain and the United StatesUniversity of Nebraska Press, 1996 - 230 σελίδες Literature and the Marketplace addresses one of the great ironies of nineteenth-century British and American literature: the fact that authors of that era, in voicing their alienation from middle-class readers, paradoxically gave expression to feelings of alienation felt by those same readers. As William G. Rowland Jr. points out, romantic writers "thought of the market as conspiring against 'imagination' (Blake) or 'telling the truth' (Melville)" and consequently felt frustrated with literary institutions. Yet their "frustrations," writes Rowland, "helped to energize romantic work and explain its subsequent and continuing appeal." The book opens with a survey of reading publics in Great Britain and the United States in the early years of the nineteenth century. Rowland then presents individual writers--including Wordsworth, Shelley, Hawthorne, Poe, and Emerson--and their relations to their readers. Finally, Rowland shows how the idea of genius was developed by writers as different as Coleridge, Blake, Whitman, and Dickinson and how that idea evolved as an antidote to the commercial literary marketplace of the nineteenth century. A wide-ranging and provocative book, Literature and the Marketplace describes the relations between important British and American authors and the audiences and publishing industries of their era--relations that were troubled, uncertain, and remarkably productive of literature. |
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... claims that the compensations offered by posterity and the idealized audience of his " fellow labourers " are sufficient ... claim on behalf of his works against the works of other artists . Like Wordsworth during this decade , Blake ...
... claim overriding all literary scruples ” ( 259 ) , thus embracing the public and professional claims on the writer that in other moods he repudiated . Melville envisioned Battle - Pieces as a literary artist's contribution to the ...
... claims on the reading public and provided consolation if those claims were unsuccessful ( Age of Revolution 260 ) ... claim that Blake's rel- atively accessible Songs of Innocence and of Experience were " only too deep for the vulgar ...
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in the Nineteenth Century | 17 |
Wordsworth and the Difficulty of Speaking to Men | 39 |
Religious Vocation and Blakes Obscurity | 63 |
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Literature and the Marketplace: Romantic Writers and Their Audiences in ... William G. Rowland Περιορισμένη προεπισκόπηση - 1996 |