Literature and the Marketplace: Romantic Writers and Their Audiences in Great Britain and the United StatesUniversity of Nebraska Press, 1996 - 230 σελίδες Literature and the Marketplace addresses one of the great ironies of nineteenth-century British and American literature: the fact that authors of that era, in voicing their alienation from middle-class readers, paradoxically gave expression to feelings of alienation felt by those same readers. As William G. Rowland Jr. points out, romantic writers "thought of the market as conspiring against 'imagination' (Blake) or 'telling the truth' (Melville)" and consequently felt frustrated with literary institutions. Yet their "frustrations," writes Rowland, "helped to energize romantic work and explain its subsequent and continuing appeal." The book opens with a survey of reading publics in Great Britain and the United States in the early years of the nineteenth century. Rowland then presents individual writers--including Wordsworth, Shelley, Hawthorne, Poe, and Emerson--and their relations to their readers. Finally, Rowland shows how the idea of genius was developed by writers as different as Coleridge, Blake, Whitman, and Dickinson and how that idea evolved as an antidote to the commercial literary marketplace of the nineteenth century. A wide-ranging and provocative book, Literature and the Marketplace describes the relations between important British and American authors and the audiences and publishing industries of their era--relations that were troubled, uncertain, and remarkably productive of literature. |
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... isolation , as the auditor in The Ruined Cottage does when he feels fundamentally united with another isolated , destroyed soul . The paradox that isolated readers form a community evokes a num- ber of precise historical experiences ...
... isolated and of experi- encing isolation as power and independence from social constraints . The American poet could look into his own heart and discover secrets common to all men because in early nineteenth - century America , one ...
... isolated self , romantic ideas regard- ing , 187 isolation , 58 , 60 ; Emerson's view of , 132–33 ; reflected in Melville , 156 , 157. See also alienation Jackson , Helen Hunt , 178 , 180 James , Henry , 154 Johnson , Joseph , 65 ...
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in the Nineteenth Century | 17 |
Wordsworth and the Difficulty of Speaking to Men | 39 |
Religious Vocation and Blakes Obscurity | 63 |
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Literature and the Marketplace: Romantic Writers and Their Audiences in ... William G. Rowland Περιορισμένη προεπισκόπηση - 1996 |