Literature and the Marketplace: Romantic Writers and Their Audiences in Great Britain and the United StatesUniversity of Nebraska Press, 1996 - 230 σελίδες Literature and the Marketplace addresses one of the great ironies of nineteenth-century British and American literature: the fact that authors of that era, in voicing their alienation from middle-class readers, paradoxically gave expression to feelings of alienation felt by those same readers. As William G. Rowland Jr. points out, romantic writers "thought of the market as conspiring against 'imagination' (Blake) or 'telling the truth' (Melville)" and consequently felt frustrated with literary institutions. Yet their "frustrations," writes Rowland, "helped to energize romantic work and explain its subsequent and continuing appeal." The book opens with a survey of reading publics in Great Britain and the United States in the early years of the nineteenth century. Rowland then presents individual writers--including Wordsworth, Shelley, Hawthorne, Poe, and Emerson--and their relations to their readers. Finally, Rowland shows how the idea of genius was developed by writers as different as Coleridge, Blake, Whitman, and Dickinson and how that idea evolved as an antidote to the commercial literary marketplace of the nineteenth century. A wide-ranging and provocative book, Literature and the Marketplace describes the relations between important British and American authors and the audiences and publishing industries of their era--relations that were troubled, uncertain, and remarkably productive of literature. |
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... reviewers in order to reassert the writer's authority within the literary institution . Wordsworth di- rectly linked critics with the reading publics , the passive consumers of literature : critics , to his mind , were " men of palsied ...
... reviewers were on the whole very much in favor of the literature with which they were dealing . They had some serious qualifications to that approval , as well they might in an age of so much literary experimentation . They also ...
... reviewer confirmed Mary Shelley's feeling that there was a public available to Shelley if he had overcome his " natural inclination " to ab- straction . Other reviewers admitted Shelley's genius but objected to his radical politics . In ...
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in the Nineteenth Century | 17 |
Wordsworth and the Difficulty of Speaking to Men | 39 |
Religious Vocation and Blakes Obscurity | 63 |
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Literature and the Marketplace: Romantic Writers and Their Audiences in ... William G. Rowland Περιορισμένη προεπισκόπηση - 1996 |