Literature and the Marketplace: Romantic Writers and Their Audiences in Great Britain and the United StatesUniversity of Nebraska Press, 1996 - 230 σελίδες Literature and the Marketplace addresses one of the great ironies of nineteenth-century British and American literature: the fact that authors of that era, in voicing their alienation from middle-class readers, paradoxically gave expression to feelings of alienation felt by those same readers. As William G. Rowland Jr. points out, romantic writers "thought of the market as conspiring against 'imagination' (Blake) or 'telling the truth' (Melville)" and consequently felt frustrated with literary institutions. Yet their "frustrations," writes Rowland, "helped to energize romantic work and explain its subsequent and continuing appeal." The book opens with a survey of reading publics in Great Britain and the United States in the early years of the nineteenth century. Rowland then presents individual writers--including Wordsworth, Shelley, Hawthorne, Poe, and Emerson--and their relations to their readers. Finally, Rowland shows how the idea of genius was developed by writers as different as Coleridge, Blake, Whitman, and Dickinson and how that idea evolved as an antidote to the commercial literary marketplace of the nineteenth century. A wide-ranging and provocative book, Literature and the Marketplace describes the relations between important British and American authors and the audiences and publishing industries of their era--relations that were troubled, uncertain, and remarkably productive of literature. |
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... situation as the rule of an impersonal mob whose tastes and standards were not immediately accessible to the writer , as in the sup- posedly more personal patronage relationship . Coleridge reacted to the new situation with undisguised ...
... situation and the romantic response to that situation . He was a professional who could be hurt by a glutted market ; in response , he idealized the poet as a soli- tary seer unappreciated by his contemporaries , but fundamentally un ...
... situation of the arts in England emerged from personal and pro- fessional frustration : " Resentment for Personal Injuries has had some share in this Public Address But Love to My Art & Zeal for my Coun- try a much Greater " ( 574 ) ...
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in the Nineteenth Century | 17 |
Wordsworth and the Difficulty of Speaking to Men | 39 |
Religious Vocation and Blakes Obscurity | 63 |
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Literature and the Marketplace: Romantic Writers and Their Audiences in ... William G. Rowland Περιορισμένη προεπισκόπηση - 1996 |