 Marner's face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression as a handle or a crooked tube, which has no meaning standing apart.  The Ladies' Companion - Σελίδα 2731861Πλήρης προβολή - Σχετικά με αυτό το βιβλίο
 | George Eliot - 1861 - 398 σελίδες
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1870 - 816 σελίδες
...faco and figure shrank and bunt themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy now looked as if they had been made to see... | |
 | Chambers W. and R., ltd - 1877 - 464 σελίδες
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1878 - 426 σελίδες
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1883 - 742 σελίδες
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1885 - 564 σελίδες
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1886 - 626 σελίδες
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1887 - 438 σελίδες
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1895 - 416 σελίδες
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1895 - 474 σελίδες
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
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