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put in the pockets of all enthusiasts in poetry, and endure with the language. Five of these are The Ancient Mariner, Christabel, Kubla Khan, Genevieve, and Youth and Age. Some, that more personally relate to the poet, will be added for the love of him, not omitting the Visit of the Gods, from Schiller, and the famous passage on the Heathen Mythology, also from Schiller. A short life, a portrait, and some other engravings perhaps, will complete the book, after the good old fashion of Cooke's and Bell's editions of the Poets; and then, like the contents of the Jew of Malta's casket, there will be
Infinite riches in a little room,
LOVE; OR, GENEVIEVE.
All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
And feed his sacred flame.
Oft in my waking dreams do I
Live o'er again that happy hour,
Beside the ruin'd tower.
The moonlight stealing o'er the scene,
Had blended with the lights of eve;
My own dear Genevieve !
She leant against the armed man,
The statue of the armèd knight;
Amid the lingering light.
Few sorrows hath she of her own,
My hope! my joy! my Genevieve
The songs that make her grieve.
I play'd a soft and doleful air,
I sang an old and moving storyAn old rude song, that suited well
That ruin wild and hoary.
She listen’d with a flitting blush,
With downcast eyes and modest grace, For well she knew I could not choose
But gaze upon her face.
I told her of the knight that wore
Upon his shield a burning brand; And that for ten long years he woo'd
The lady of the land.
I told her how he pin'd, and_ah!
The deep, the low, the pleading tone
Interpreted my own.
With downcast eyes and modest grace, And she forgave me, that I gazd
Too fondly on her face !
But when I told the cruel scorn
That crazed that bold and lovely knight, And that he cross'd the mountain-woods,
Nor rested day nor night:
That sometimes from the savage den,
And sometimes from the darksome shade, And sometimes starting up at once.
In green and sunny glade,
There came and look'd him in the face
An angel beautiful and bright ; And that he knew it was a fiend,
This miserable knight!
And that, unknowing what he did,
He leap'd amid a murderous band, And sav'd from outrage worse than death
The lady of the land !
And how she wept and claspt his knees;
And how she tended him in vain
And ever strove to expiate
The scorn that crazed his brain;
And that she nuro'd him in a cave;
were now his madness went away, When on the yellow forest leaves
A dying man he lay.
His dying words—but when I reach'd
That tenderest strain of all the ditty, My faltering voice and pausing harp
Disturb'd her soul with pity.
All impulses of soul and sense
Had thrillid my guileless Genevieve; The music and the doleful tale,
The rich and balmy eve;
And hopes, and fears that kindle hope,
An undistinguishable throng, And gentle wishes long subdued,
Subdued and cherished long.
She wept with pity and delight,
She blush'd with love and virgin shame, And like the murmur of a dream,
I heard her breathe my name.
Her bosom heav'd-she stept aside,
As conscious of my look she stept Then suddenly, with timorous eye,
She fled to me and wept.
She half enclos'd me in her arms,
She press’d me with a meek embrace: And bending back her head, look'd up,
And gazed upon my face.
'Twas partly love and partly fear,
And partly 't was a bashful art That I might rather feel than see,
The swelling of her heart.
I calm'd her fears, and she was calm,
And so I won my Genevieve,
My own, my beauteous bride!
I can hardly say a word upon
admiration. I must observe, however, that one of the charms of it consists in the numerous repetitions and revolvings of the words, one on the other, as if taking delight in their own beauty.
SUGGESTED TO THE AUTHOR BY A PASSAGE IN PURCHAS'S PILGRIMAGE.
In Xanadu did Kubla Khan1
A stately pleasure-dome decree,
Down to a sunless sea.
So twice five miles of fertile ground
But oh, that deep romantic chasm which slanted
And ’mid this tumult Kubla heard from far
1“ In Xanadu."--I think I recollect a variation of this stanza, as follows:
In Xanadu did Kubla Khan
A stately pleasure-house ordain,
Down to a sunless main.
The nice-eared poet probably thought there were too many ns in these rhymes; and man and main are certainly not the best neighbors : yet there is such an open, sounding, and stately intonation in the words pleasure-house ordain, and it is so superior to pleasure-dome decree, that I am not sure I would not give up the correctness of the other terminations to retain it.
But what a grand flood is this, flowing down through measure. less caverns to a sea without a sun! I know no other sea equal