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Call him not old, whose visionary brain
Holds o'er the past its undivided reiga.
For him in vain the envious seasons roll
Who bears eternal summer in his soul.
If yet the minstrel's song, the poet's lay,
Spring with her birds, or children with their play,
Or maiden's smile, or heavenly dream of art.
Stir the few life-drops creeping round his heart,
Turn to the record where his years are told, -
Count his gray hairs,—they cannot make him old I

End of the Professor's paper. (The above essay was not read at one time, but in several instalments, and accompanied by various comments from different persons at the table. The company were in the main attentive, with the exception of a little somnolence on the part of the old gentleman opposite at times, and a few sly, mali cious questions about the “old boys” on the part of that forward young fellow who has figured occasion ally, not always to his advantage, in these reports.

On Sunday mornings, in obedience to a feeling i am not ashamed of, I have always tried to give a more appropriate character to our conversation. I have never read them my sermon yet, and I don't know that I shall, as some of them might take my convictions as a personal indignity to themselves. But having read our company so much of the Professor's talk about age and other subjects connected with physical life, I took the next Sunday morning to repeat to them the following poem of his, which

I have bad by me some time. He calls it I sup pose, for his professional friends—The Anatomist's HYMN; but I shall name it)

THE LIVING TEMPLE.
Not in the world of light alone,
Where God has built his blazing throne,
Nor yet alone in earth below,
With belted seas that come and go,
And endless isles of sunlit green,
Is all thy Maker's glory seen : .
Look in upon thy wondrous frame,
Eternal wisdom still the same !

The smooth, soft air with pulse-like waves
Flows murmuring through its hidden caves
Whose streams of brightening purple rush
Fired with a new and livelier blush,
While all their burden of decay

The ebbing current steals away,
And red with Nature's flame they start
From the warm fountains of the heart.

No rest that throbbing slave may ask,
Forever quivering o'er his task,
While far and wide a crimson jet
Leaps forth to fill the woven net
Which in unnumbered crossing tides
The flood of burning life divides,
Then kindling each decaying part
Creeps back to find the throbbing heart.

But warmed with that unchanging flame
Behold the outward moving framo,

Its living marbles jointed strong
With glistening band and silvery thong,
And linked to reason's guiding reins
By myriad rings in trembling chains,
Each graven with the threaded zone
Which claims it as the master's own.

See how yon beam of seeming white
Is braided out of seven-hued light,
Yet in those lucid globes no ray
By any chance shall break astray.
Hark how the rolling surge of sound,
Arches and spirals circling round,
Wakes the bushed spirit through thine ear
With music it is heaven to hear.

Then mark the cloven sphere that holds
All thought in its mysterious folds,
That feels sensation's faintest thrill
And flashes forth the sovereign will;
Think on the stormy world that dwells
Locked in its dim and clustering cells !
The lightning gleams of power it sheds
Along its hollow glassy threads !

O Father! grant thy love divine
To make these mystic temples thine !
When wasting age and wearying strife
Have sapped the leaning walls of life,
When darkness gathers over all,
And the last tottering pillars fall,
Take the poor dust thy mercy warme
And mould it into heavenly forms !

VIIL (SPRING has come. You will find some verses to that effect at the end of these notes. If you are an impatient reader, skip to them at once. In reading aloud, omit, if you please, the sixth and seventh verses. These are parenthetical and digressive, and, unless your audience is of superior intelligence, will confuse them. Many people can ride on horseback who find it hard to get on and to get off without assistance. One has to dismount from an idea, and get into the saddle again, at every parenthesis.]

- The old gentleman who sits opposite, find. ing that spring had fairly come, mounted a white hat one day, and walked into the street. It seems to have been a premature or otherwise exceptionable exhibition, not unlike that commemorated by the late Mr. Bayly. When the old gentleman came home, he looked very red in the face, and complained that he had been “made sport of.” By sympathize ing questions, I learned from him that a boy had called him "old daddy," and asked him when he had his hat whitewashed.

This incident led me to make some observations at table the next morning, which I here repeat for the benefit of the readers of this record.

- The hat is the vulnerable point of the arti,

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