containing ovarian eggs, how to
know them, 227.

BRIDGET becomes a carvatid, 118;
presents a bre:ist-pin, 363.
BROWNE, Sir Thomas, admirable
sentiment of, 105.
BROWNING, Elizabeth, 355.

charming, 146; lenking of nature
into, 319.

CLERGY rarely hear sermons, 31.
CLERGYMEN, their patients not al-
ways truthful, 97.'

CLOCK of the Andover Seminary,

333.

62.

BULBOUS-HEADED people, 7.
BUNKER-HILL monument, rocking
of, 331.

BYRON, his line about striking the
electric chain, 77.

C.

CACHE, children make instinctively,

237.

CALAMITIES, grow old rapidly in
proportion to their magnitude, 35;
the recollection of returns after
the first sleep as if new, 85.
CALCULATING machine, 9; power,
least hun an of qualities, 9.
CALL HIM NOT OLD, 201.
CAMPBELL, misquotation of, 79.
CANARY-BIRD, swimming move-
ments of, 96.

CANT terms, use of, 299.

CARLYLE, his article on Boswell,
328.

CARPENTER'S bench, Author works
at, 207.

CHAMBERS Street, 318.
CHAMOUNI, 311.
CHARACTERISTICs, Carlyle's article,

61.

CLUBS, advantages of, 71.
COAT, constructed on à priori
grounds, 76.

COBB, Sylvanus, Jr. 18.
COFFEE, 287, 289.

COLD-BLOODED creatures, 149.
COLERIDGE, his remark on liter
ary mens' needing a profession,
207.

COLISEUM, visit to, 827.
COMET, the late, 26.
COMMENCEMENT day, like the start
for the Derby, 107.

COMMON sense, as we understand it,

161.

COMMUNICATIONS received by the
Author, 334.

COMPANY, the sad, 288.
CONCEIT bred by little localized
powers and narrow streaks of
knowledge, 10; natural to the
mind as a centre to a circle, 10;
uses of, 10; makes people cheer-
ful, 11.

CONSTITUTION, American female,
47; in choice of summer resi
dence, 309.

CONTENTMENT, 312.
CONTROVERSY, hydrostatic paradox
of, 130.

CONUNDRUMS indulged in by the
company, 293; rebuked by the
Author, 294.
CONVERSATION, very serious mat-
ter, 6; with some persons weaken-
ing, 6; great faults of, 11; spoiled
by certain kinds of argument, 11;
a code of finalities necessary to
12; compared to Italian game of
mora, 17; shapes our thoughts,
30; Blair-ing of reported, 44; one
of the fine arts, 67; compared to
chess-playing, 72; depends on how
much is taken for granted, 72; of
Lecturers, 73.

COOK ESON, William, of All-Souls'
College, 98.

COPLEY, his portrait of the mer
chant-uncle, 23; of the great
grandmother, 28.

DIGHTON ROCK, inscription on, 287. DIMENSIONS, three of solids, handling ideas as if they had, 96. DIVINITY, doctors of, many people qualified to be, 32.

DIVINITY STUDENT, the, 1, 47, 93, 94, 97, 100, 114, 125, 142, 143, 151, 155, 211, 217, 223, 228, 236, 256, 267, 268, 293, 301, 306, 361. DOCTOR, old, his catalogue of books for light reading, 181. DRINKING-GLASSES, ancient, beliefs like, 17.

DROLL, authors dislike to be called,

55.

DRUNKENNESS often a punishment, 220.

DULL persons great comforts at times, 6; happiness of finding we are, 69.

E.

EARS, voluntary movement of, 10. EARTH, not ripe yet, 26. EARTHQUAKE, to launch Leviathan, 80.

EDLIS, hall of, 288.

EDITORS, appeals to their benevolence, 340; must get calluses, 341. EDUCATION, professional, most of our people have had, 31. EGGs, Ovarian, intellectual, 226.

ELM, American, 271; the great Jolinston, 272; Hatfield, 274; Shef field, 274; West Springfield, 274; Pittsfield, 275; Newburyport, 275; Cohasset, 275; English and American, comparison of, 277. ELMS, Springfield, 273; first class, 274; second class, 275: Mr. l'addock's row of, 278; in Andover, 332, 335; in Norwich, 333; in Deerfield, 335; in Lancaster, two very large ones. See LANCASTER. EMOTIONS Strike us obliquely, 327. EPITIETS follow isothermal lines, 130.

ERASMUS, colloquies of, 98; naufragium or shipwreck of, 98. ERECTILE heads, men of genius with, 7.

ESSAYS, diluted, 74.
ESSEX Street, 318.

ESTHER, Queen, and Ahasuerus, 358. ETERNITY, remembering one's self in, 233.

EVERLASTING, the herb, its suggestions, 85.

EXERCISE, scientifically examined,

193.

Ex PEDE HERCULEM, 124. EXPERIENCE, a solemn fowl; her eggs, 317.

EXPERTS in crime and suffering, 87.

F.

FACES, negative, 162.

FACTS, horror of generous minds for what are commonly called, 5; the brute beasts of the intelligence, 5; men of, 164. FAMILY, man of, 23. FANCIES, youthful, 312. FAREWELL, the Author's, 864. FAULT found with every thing worth saying, 127.

FEELING that we have been in the
same condition before, 81; modes
of explaining it, 82, 83.
FEELINGS, every person's, have a
front-door and a side-door, 147.
FIFTY cents, a figure of rhetoric,
306.

FLASH phraseology, 299.
FLAVOR, nothing knows its own, 61.
FLEET of our companions, 106.
FLOWERS, why poets talk so much
of, 266.

FRANKLIN-PLACE, front-yards in,

818.

FRENCH exercise, Benj. Franklin's,

64, 156.

FRIENDS, shown up by story-tellers,

68.
FRIENDSHIP does not authorize one
to say disagreeable things.
FRONT-DOOR and side-door to our
feelings, 147.

FRUIT, green, intellectual, these
United States a great market for,
805; mourning, 356.

FUEL, carbon and bread and cheese

are equally, 179.
FUNNY, authors ashamed of being,

55.
"FUST-RATE" and other vulgarism,

81.

G.

GEESE for swans, 319.

GENIUS, a weak flavor of, 3; the ad-
vent of, a surprise, 61.
GIFT-ENTERPRISES, Nature's, 61.
GILBERT, the French poet, 213.
GIL BLAS, the archbishop served
him right, 56; motto from, 230.
GILPIN, Daddy, 270.

GIRLS' story in " Book of Martyrs,"
854; two young, their fall from
gallery, 827.

GIZZARD and Liver never con-
founded, 859.

GOOD-BY, the Author's, 363.
GRAMMAR, higher law in, 43.
GRAVESTONES, transplanting

279.

GREEN fruit, intellectual, 305.
GROUND-BAIT, literary, 41.

H.

of,

HABIT, what its essence is, 179.
HAND, the great wooden, 328.
"HAOW?" whether final, 125.
HAT, the old gentleman opposite's
white, 204; the author's youthful
Leghorn, 205.

HATS, aphorisms concerning, 205.
HEARTS, inscriptions on, 287.
HERESY, burning for, experts in,
would be found in any large city,

37.

HISTORIAN, the quotation from, on
punning, 14.

LADY, the real, not sensitive if looked at, 225.

LADY-BOARDER, the, with autograph-book, 6.

LANDLADY, 58, 88, 122, 352, 861. LANDLADY'S daughter, 18, 20, 63, 158, 159, 257, 268, 356, 361. LATTER-DAY WARNINGS, 26. LAUGHTER and tears, wind and water-power, 101. LECTURERS, grooves in their minds, 73; talking in streaks out of their lectures, 73; get homesick, 163; attacks upon, 351. LECTURES, feelings connected with their delivery, 159; popular, what they should have, 160; old, 160; what they ought to be, 161. LEIBNITZ, remark of, 1. Les Societes Polyphysiophilosophiques,

156.

LILAC leaf-buds, 265, 267.

"MAGAZINE, Northern," got up by theCome-Outers," 137. MAINE, willows in, 335. MAN of family, 23.

MAP, photograph of, on the wall, 283. MARE RUBRUM, 140.

MARIGOLD, its suggestions, 84. MATHER, Cotton, 75, 346. MEERSCHAUMS and poems must be kept and used, 115, 117. MEN, self-inade, 22; all, love all women, 257.

Mesalliance, dreadful consequences of, 250.

MIDDLE-AGED female, takes offence,

33.

MILLIONISM, green stage of, 357. MILTON compared to a Saint Germain-pear, etc., 92.

MIND, automatic actions of, 154. MINDS, classification of, 1; jerky ones fatiguing, 6; logical, what they do, 15; calm and clear best basis for love and friendship, 150; saturation-point of, 153. MINISTER, my old, his remarks on want of attention, 33. MISERY, a great one puts a new stamp on us, 36. MISFORTUNE, professional dealers in,

86.

PIE, the young fellow treats disrespectfully, 88; the Author takes too large a piece of, 90. PIECRUST, poems, etc., written under influence of, 90. PILLAR, the Hangman's, 329. PINKNEY, William, 7.

PIRATES, Danish, their skins on church doors, 121.

PLAGIARISM, Author's virtuous disgust for, 168.

POCKET-BOOK fever, 240. POEM-with the slight alterations, 53. POEMS, alterations of, 52; have a body and a soul, 112; green state of, 114; porous like meerschaums, 117; post-prandial, the Professor's idea of, 259.

POET, my friend, the, 111, 146, 200,

206 et seq., 211, 258, 259, 261. POETS love verses while warm from

their minds, 114: two kinds of, 212; apt to act mechanically on their brains, 216. POKтs and artists, why like to be

prone to abuse of stimulants, 221. POETASTER who has tasted type,

340.

POETICAL impulse external, 112. POETRY uses white light for its main object, 56.