Atmospheres: Architectural Environments, Surrounding Objects
Birkhäuser, 2006 - 75 σελίδες
What "really constitutes an architectural atmosphere"? Peter Zumthor says, is "this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way." Zumthor's passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it? In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and "presence" of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.
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Wendlinghausen is a prime example of the architectural premises of its age use
and Convenience, permanence and beauty – revered by Italy's great
Renaissance architect Andrea Palladio in the Spirit of Vitruvius. The OutCome is
That is just one example of why things often seem so mysterious to me. And
there's something else too. There's a critical proximity between materials,
depending on the type of material and its weight. You can combine different
materials in a ...
Let me give you an example, in Connection with Some thermal baths we built. ...
Hospital Corridors are all about directing people, for example, but Bridge in Italy ,
|| ||| ||||||||| there is also the gentler art Peter Zumthor Between Composure and ...
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