Atmospheres: Architectural Environments, Surrounding ObjectsBirkhäuser, 2006 - 75 σελίδες Peter Zumthor has described what really constitutes an architectural atmosphere as "this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way." Zumthor is passionate about the creation of buildings that produce this kind of effect, but how might one actually set out to achieve it? Atmospheres is a poetics of architecture and a window onto Peter Zumthor's personal sources of inspiration. In nine illustrated chapters framed as a process of self-observation, Zumthor describes how he creates the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books. From the composition and presence of the materials to the handling of proportions and the effect of light, this book enables the reader to understand what really matters in the process of house design. |
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Σελίδα 24
... Materials react with one another and have their radiance , so that the material composition gives rise to something unique . Material is endless . Take a stone : you can saw it , grind it , drill into it , split it , or polish . - -- it ...
... Materials react with one another and have their radiance , so that the material composition gives rise to something unique . Material is endless . Take a stone : you can saw it , grind it , drill into it , split it , or polish . - -- it ...
Σελίδα 26
... materials , depending on the type of material and its weight . You can combine different materials in a building , and there's a certain point where you'll find they're too far away from each other to react , and there's a point too ...
... materials , depending on the type of material and its weight . You can combine different materials in a building , and there's a certain point where you'll find they're too far away from each other to react , and there's a point too ...
Σελίδα 28
... materials they contain , and the way those materials have been applied . Take a wonderful spruce floor like the top of a vio- lin and lay it across wood . Or again : stick it to a concrete slab . Do you notice the difference in sound ...
... materials they contain , and the way those materials have been applied . Take a wonderful spruce floor like the top of a vio- lin and lay it across wood . Or again : stick it to a concrete slab . Do you notice the difference in sound ...
Συχνά εμφανιζόμενοι όροι και φράσεις
actually anatomy archi architect Architectural Environments Architekturbüro Zumthor atmos Baumgartner beautiful Berlin Bienefeld houses Body of Architecture Bruder Klaus Chapel café castle cedar Chur Cologne comes construction Dia Centre Documentation Centre door Ernst Brunner example Expo facade give gold leaf Graubünden Haldenstein Handke Hannover Hans Baumgartner Hélène Binet imagine incredibly inside interior intimidating kind of thing Kunsthaus Bregenz Kunstmuseum Basel Le Corbusier lead floor lecture light on things living-room look magic mass materials mean Mechernich mood move Museum Kolumba musicologist noises Palladio passion PETER ZUMTHOR ATMOSPHERES sense sitting sort of thing square study model Surrounding Objects Swiss Pavilion Swiss Sound Box talking tect Temperature temporal art Thermal Baths Vals Titled Atmospheres Topography of Terror touch transcendent level UNIVERSITY OF CALIFORNIA Vicenza Vincenzo Scamozzi viola Walter De Maria Wendlinghausen wonderful Zürich