ca IMAGINATION, AND FANCY; OR SELECTIONS FROM THE ENGLISH POETS, Xllustratsbe of those first Requisites of their Art; WITH MARKINGS OF THE BEST PASSAGES, CRITICAL NOTICES OF THE WRITERS, AND AN ESSAY IN ANSWER TO THE QUESTION "WHAT IS POETRY?" BY LEIGH HUNT. NEW YORK: CONTENTS. Page iii. . PREFACE . THE CAVE OF MAMMON AND GARDEN OF PROSERPINE 54 62 72 . A GALLERY OF PICTURES FROM SPENSER (Spenser considered as the Poet of the Painters.) CHARISSA, OR CHARITY. HOPE CUPID USURPING THE THRONE OF JUPITER 77 78 78 79 80 80 82 NIGHT AND THE WITCH DUESSA 83 85 VENUS IN SEARCH OF CUPID, COMING TO DIANA MAY 86 . A KNIGHT IN BRIGHT ARMOR, LOOKING INTO A CAVE . MALBECCO SEES HELLENORE DANCING WITH THE SATYRS . HIS HORSE OR, APOTHEOSIS OF A POET'S MISTRESS 93 SELECTIONS FROM MARLOWE, WITH CRITICAL NOTICE D P A VISION OF HELEN MYTHOLOGY AND COURT AMUSEMENTS . 100 103 BEAUTY BEYOND EXPRESSION THE PASSIONATE SHEPHERD TO HIS LOVE SBT THE QUARREL OF OBERON AND TITANIA . SELECTIONS FROM BEN JONSON, WITH CRITICAL NOTICE THE LOVE-MAKING OF LUXURY TOWERING SENSUALITY . 140 142 142 143 145 146 148 . THE WITCH A MEETING OF WITCHES SE A CATCH OF SATYRS SELECTIONS FROM BEAUMONT AND FLETCHER, WITH CRITICAL 150 MELANCHOLY . 152 A SATYR PRESENTS A BASKET OF FRUIT TO THE FAITHFUL . 155 THE POWER OF LOVE 156 INVOCATION TO SLEEP . 157 SELECTIONS FROM MIDDLETON, DECKER, AND WEBSTER, WITH CRITICAL NOTICE . 158 FLIGHT OF WITCHES . 162 |