Sovereign Shame: A Study of King LearBucknell University Press, 1984 - 210 σελίδες This study of King Lear emphasizes the fact that Cordelia Kent, and the Fool create a loving community from which Lear persistently flees, and seeks to explain his bizarre behavior not, as is sometimes done, by attributing unconscious incestuous desires to him, but by demonstrating that Lear's profound and tyrannizing shame originates in his metaphysical dread of personal worthlessness and a deep sense of being unworthy of love. |
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Σελίδα 11
... scene , when Lear hints at a " darker purpose " as- sociated with the bribes he is about to proffer as gifts to his ... scenes , his plight would never earn our sympathy or take on the seriousness necessary for tragic effect . Lear ...
... scene , when Lear hints at a " darker purpose " as- sociated with the bribes he is about to proffer as gifts to his ... scenes , his plight would never earn our sympathy or take on the seriousness necessary for tragic effect . Lear ...
Σελίδα 14
... scene . If , then , Cordelia , Kent , and the Fool live in the " proper sense of shame " that Schneider claims " goes hand in hand with our acknowledgment of radical sociality , " one of the great ironies in the play is that , try as ...
... scene . If , then , Cordelia , Kent , and the Fool live in the " proper sense of shame " that Schneider claims " goes hand in hand with our acknowledgment of radical sociality , " one of the great ironies in the play is that , try as ...
Σελίδα 17
... scene of King Lear is how the play circles upon itself in its concluding moments . Lear's " Pray you undo this button " ( 5.3.310 ) recalls not only his attempt to disrobe before Poor Tom in act 3 but also the initial divestiture that ...
... scene of King Lear is how the play circles upon itself in its concluding moments . Lear's " Pray you undo this button " ( 5.3.310 ) recalls not only his attempt to disrobe before Poor Tom in act 3 but also the initial divestiture that ...
Σελίδα 18
... scene in human and moral terms , very few have seen its relevance to the world order ( or lack of it ) that the last scene appears to imply . Judah Stampfer , for example , calls the finale " the tragedy of penance " in which a ...
... scene in human and moral terms , very few have seen its relevance to the world order ( or lack of it ) that the last scene appears to imply . Judah Stampfer , for example , calls the finale " the tragedy of penance " in which a ...
Σελίδα 19
... scenes of the play . These facts should begin to make us question whether the real issue of the tragedy has anything to do with disorder in the heavens and to ask instead some simpler but unanswered questions about why a certain group ...
... scenes of the play . These facts should begin to make us question whether the real issue of the tragedy has anything to do with disorder in the heavens and to ask instead some simpler but unanswered questions about why a certain group ...
Περιεχόμενα
17 | |
The Pastoral Norm | 58 |
The Player King | 118 |
The Prince of Darkness is a Gentleman | 147 |
Notes | 176 |
Selected Bibliography | 194 |
Index | 207 |
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
abdication acknowledge Albany Alfred Harbage attempt Avoidance of Love banished beggar behavior better bitter fool Cavell character charity claims codpiece contempt Cordelia critics curse daugh daughters death disguise distracted dramatic dramatic irony dreadful Edgar Edmund Essay on King evil fact father fear feel final flees folly Fool's foolish forgiveness generosity Gloucester Gloucester's gods Goneril and Regan grace grief heart heavens hidden hope human humiliation irony Jacobean justice Kent Kent's King Lear king's Lear plays Lear's live love test madness Masks of King merely metaphor miseries moral nature nonetheless O. B. Hardison Oswald Othello pastoral pastoral's play play's Poor Poor Tom pretense Princeton University Princeton University Press rage refusal remarks reveals ridicule risk scene seek sense Shakespeare Shakespearean Tragedy shame sorrow speaks speech stand Stanley Cavell storm suffering suggests symbolic thee thing thou tion tragic true truth words wretches
Δημοφιλή αποσπάσματα
Σελίδα 98 - Lear. Be your tears wet? Yes, 'faith. I pray, weep not: If you have poison for me I will drink it. I know you do not love me ; for your sisters Have, as I do remember, done me wrong : You have some cause, they have not. Cor. No cause, no cause.
Σελίδα 51 - The weight of this sad time we must obey ; Speak what we feel, not what we ought to say. The oldest hath borne most : we, that are young, Shall never see so much, nor live so long.
Σελίδα 154 - Hear, nature, hear; Dear goddess, hear ! Suspend thy purpose, if Thou didst intend to make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase; And from her derogate body never spring A babe to honor her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Σελίδα 158 - I may scape, I will preserve myself: and am bethought To take the basest and most poorest shape, That ever penury, in contempt of man, Brought near to beast: my face I'll grime with filth; Blanket my loins; elf all my hair in knots; And with presented nakedness out-face The winds, and persecutions of the sky.
Σελίδα 150 - The affliction, nor the fear. Lear. Let the great gods, That keep this dreadful pother o'er our heads, Find out their enemies now.
Σελίδα 96 - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
Σελίδα 26 - And my poor fool is hang'd! No, no, no life! Why should a dog, a horse, a rat, have life, And thou no breath at all? Thou'lt come no more, Never, never, never, never, never!
Σελίδα 92 - Good my lord, You have begot me, bred me, lov'd me : I .Return those duties back as are right fit, Obey you, love you, and most honour you. Why have my sisters husbands if they say They love you all? Haply...
Σελίδα 169 - With a more riotous appetite. Down from the waist they are Centaurs, Though women all above : But to the girdle do the gods inherit, Beneath is all the fiends' ; there's hell, there's darkness, there is the sulphurous pit, burning, scalding, stench, consumption...