An Abridgment of Lectures on RhetoricJ. Metcalf, Printer, 1823 - 306 σελίδες |
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Σελίδα 18
... sublime . Hence infinite space , endless numbers , and eternal duration , fill the mind with . great ideas . The most copious source of sublime ideas seems to be derived from the exertion of great power and force . Hence the grandeur of ...
... sublime . Hence infinite space , endless numbers , and eternal duration , fill the mind with . great ideas . The most copious source of sublime ideas seems to be derived from the exertion of great power and force . Hence the grandeur of ...
Σελίδα 19
... sublime ; such as darkness , solitude , and silence . The firmament , when filled with stars , scattered in infinite numbers and with splen- did profusion , strikes the imagination with more awful grandeur , than when we behold it ...
... sublime ; such as darkness , solitude , and silence . The firmament , when filled with stars , scattered in infinite numbers and with splen- did profusion , strikes the imagination with more awful grandeur , than when we behold it ...
Σελίδα 20
... sublime ob- jects to be mentioned , which may be termed the moral or sentimental sublime , arising from cer- tain exertions of the mind ; from certain affec- tions and actions of our fellow creatures . These will be found to be chiefly ...
... sublime ob- jects to be mentioned , which may be termed the moral or sentimental sublime , arising from cer- tain exertions of the mind ; from certain affec- tions and actions of our fellow creatures . These will be found to be chiefly ...
Σελίδα 21
... sublime ; and that no objects have this character , but such as pro- duce impressions of pain and danger . Many ter- rible objects are indeed highly sublime ; nor does grandeur refuse alliance with the idea of danger . But the sublime ...
... sublime ; and that no objects have this character , but such as pro- duce impressions of pain and danger . Many ter- rible objects are indeed highly sublime ; nor does grandeur refuse alliance with the idea of danger . But the sublime ...
Σελίδα 22
... sublime object , into the idea of which strength and force either enter not directly , or are not at least intimately associated , by conducting our thoughts to some astonishing power , as concerned in the produc- tion of the object ...
... sublime object , into the idea of which strength and force either enter not directly , or are not at least intimately associated , by conducting our thoughts to some astonishing power , as concerned in the produc- tion of the object ...
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
action admit Æneid agreeable ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise criticism degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed Eneid English epic poem epic poetry excel excite exhibit express fancy figure founded French frequently genius give grace grandeur Greek hearers Hence Henriade Homer human ideas Iliad imagination imitation instance ject kind language Livy Lusiad lyric poetry manner ment merit metaphor mind mode modern moral motion narration nature never objects observed orator ornament Paradise Lost passion pastoral pathetic pause peculiar perspicuity Pharsalia pleasing pleasures of taste poet poetical principal proper propriety prose public speaking render requisite resemblance rule scene sense sentence sentiments simplicity sion sound speaker species speech spirit strength strong style sublime syllable Tacitus tence theatre of France thing thought tion tragedy tropes unity variety verse Virgil words writing
Δημοφιλή αποσπάσματα
Σελίδα 272 - States entitled an act for the encouragement of learning hy securing the copies of maps, charts and books to the author., and proprietors of such copies during the times therein mentioned, and also to an act entitled an act supplementary to an act, entitled an act for the encouragement of learning by securing the copies of maps, charts and books to the authors and proprietors of such copies during the times therein mentioned and extending the benefits thereof to the arts of designing, engraving and...
Σελίδα 201 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike.
Σελίδα 27 - Their dread commander ; he above the rest, In shape and gesture proudly eminent, Stood like a tower : his form had not yet lost All her original brightness ; nor appear'd Less than arch-angel ruin'd, and th...
Σελίδα 24 - Thus saith the Lord, thy redeemer, and he that formed thee from the womb, I am the Lord that maketh all things; that stretcheth forth the heavens alone; that spreadeth abroad the earth by myself...
Σελίδα 214 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Σελίδα 24 - He made darkness his secret place; his pavilion round about him were dark waters and thick clouds of the skies.
Σελίδα 101 - O unexpected stroke, worse than of death ! Must I thus leave thee, Paradise ? thus leave Thee, native soil! these happy walks and shades, Fit haunt of gods ? where I had hope to spend, Quiet though sad, the respite of that day That must be mortal to us both.
Σελίδα 21 - Look then abroad through Nature, to the range Of planets, suns, and adamantine spheres, Wheeling unshaken through the void immense...
Σελίδα 98 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Σελίδα 125 - It is this sense which furnishes the imagination with its ideas; so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.