Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Τόμος 80Gale Research Company, 1984 |
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Σελίδα 40
... audience is liminal . First of all , the opening scene of the play immediately prepares the audience for a fairy tale ; Shakespeare certi- fies and reinforces this reaction by having Celia echo the audience's feelings : " I could match ...
... audience is liminal . First of all , the opening scene of the play immediately prepares the audience for a fairy tale ; Shakespeare certi- fies and reinforces this reaction by having Celia echo the audience's feelings : " I could match ...
Σελίδα 123
... audience . John Peter , reviewing the play for the Sunday Times , heard the lines as " pleadingly life - affirming , " which he considered " quite wrong . " I wasn't sure exactly how we were to take either lines or gesture ; whether the ...
... audience . John Peter , reviewing the play for the Sunday Times , heard the lines as " pleadingly life - affirming , " which he considered " quite wrong . " I wasn't sure exactly how we were to take either lines or gesture ; whether the ...
Σελίδα 124
... audience . This is what happened . The opening word of line 57 , " Well , " became the transi- tion as Falstaff turned to address the audience after watching Hal's exit . Then the bottle became a sword as he used it to run through an ...
... audience . This is what happened . The opening word of line 57 , " Well , " became the transi- tion as Falstaff turned to address the audience after watching Hal's exit . Then the bottle became a sword as he used it to run through an ...
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As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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Άλλες εκδόσεις - Προβολή όλων
Shakespearean Criticism: Excerpts from the Criticism of William ..., Τόμος 28 Προβολή αποσπασμάτων - 1984 |
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action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words