Rof. Why, whither fhall we go? Rof. Were't not better, Because that I am more than common tall, A boar-fpear in my hand, and (in my heart That do outface it with their femblances. Cel. What fhall I call thee, when thou art a man? And therefore, look, you call me Ganimed. Cel. Something that hath a reference to my state: No longer Celia, but Aliena. Rof. But, Coufin, what if we affaid to steal The clownish Fool out of your father's Court? Would he not be a comfort to our travel? Cel. He'll go along o'er the wide world with me. Leave me alone to woo him. Let's away, And get our jewels and our wealth together; Devife the fittest time, and fafeft way To hide us from purfuit that will be made After my flight: now go we in content To Liberty, and not to Banifhment. 7-curtle-axe, or cutlace, a broad fword. [Exeunt. 8 Pll have] Sir T. Hanmer, for we'll have. ACT ACT II. SCENE I. Arden FOREST. Enter Duke Senior, Amiens, and two or three Lords like Forefters. DUKE fenior. OW, my co-mates, and brothers in exile, Hath not old cuftom made this life more fweet Which, like the toad, ugly and venomous, 9 In former editions, Here feel we not the Penalty.] What was the Penalty of Adam, hinted at by our Poet? The being fenfible of the Difference of the Seafons. The Duke fays, the Cold and Effects of the Winter feelingly perfuade him what he is. How does he not then feel the Penalty? Doubtless, the Text must be reftor'd as I have corrected it: and 'tis obvious in the Course of these Notes, how often not and but by Miftake have chang'd Place in our Author's former Editions. THEOBALD. Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head:] It was the current opinion in Shakespeare's time, that in the head of an old toad was to be found a ftone, or pearl, to which great virtues were afcribed. This ftone has been often fought, but nothing has been found more than accidental or perhaps morbid indurations of the skull. Ami. Ami. I would not change it. Happy is your Grace, Duke Sen. Come, fhall we go and kill us venifon? 1 Lord. Indeed, my Lord, The melancholy Jaques grieves at that; Duke Sen. But what faid Jaques ? 1 Lord. O yes, into a thousand fimilies. I would not change it.] Mr. and makes Amiens begin, Happy Upton, not without probability, is your Grace. gives these words to the duke, 'Tis "Tis right, quoth he, thus mifery doth part The flux of company. Anon a carclefs herd, Full of the pafture, jumps along by him, And never stays to greet him: Ay, quoth Jaques, 'Tis juft the fashion; wherefore do you look 2 Lord. We did, my lord, weeping and commenting Upon the fobbing deer. Duke Sen. Show me the place; I love to cope him in thefe fullen fits. 2 Lord. I'll bring you to him ftraight. Duke. SCENE II. Changes to the PALACE again. Enter Duke Frederick with Lords. [Exeunt, MAN it be poffible, that no man faw them? CA It cannot be. Some villains of my Court Are of confent and fufferance in this. I Lord. I cannot hear of any that did fee her, They found the bed untreafur'd of their mistress. to cope him,] To encounter him; to engage with him. 2 Lord. 2 Lord. My lord the roynish Clown, at who fo oft Your Grace was wont to laugh, is alfo miffing. Duke. Send to his brother: Fetch that Gallant hither; Orla. SCENE III. Changes to OLIVER'S Houfe. W Enter Orlando and Adam. HO's there? [Exeunt. Adam. What! my young master? ohi, my gentle mafter, Oh, my fweet mafter, O you memory Of old Sir Rowland! why, what make you here? 3 The bony Prifer of the humorous Duke? 'In the former editions, The BONNY Prifer] We fhould read BONEY Prifer. For this wrestler is characterised for his ftrength and bulk, not for his gayety or good-humour. WARBURTON. So Milton, Giants of mighty bone. Ne |