The Sixth Reader: Consisting of Extracts in Prose and Verse, with Biographical and Critical Notices of the Authors : for the Use of Advanced Classes in Public and Private SchoolsBrewer and Tileston, 1866 - 436 σελίδες |
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Σελίδα xviii
... importance of the ideas . 1. We must determine the kind or general spirit , that we may know what general or standard force , and time , & c . , of voice we should read with . There must be some stand- ard to guide us , or we cannot ...
... importance of the ideas . 1. We must determine the kind or general spirit , that we may know what general or standard force , and time , & c . , of voice we should read with . There must be some stand- ard to guide us , or we cannot ...
Σελίδα xix
... ideas ' with the relative importance ' of each ? This brings us to the subject of , - 6 VOCAL EXPRESSION . Before analyzing the elements of vocal expression INTRODUCTORY TREATISE . XIX Different Kinds or Classes of Emotion.
... ideas ' with the relative importance ' of each ? This brings us to the subject of , - 6 VOCAL EXPRESSION . Before analyzing the elements of vocal expression INTRODUCTORY TREATISE . XIX Different Kinds or Classes of Emotion.
Σελίδα xxi
... importance of the individual ideas ? so in our analysis of each one of the elements of vocal expression , we have the same general and individual inquiries to make : 1. What general degree of force will best express the ' general spirit ...
... importance of the individual ideas ? so in our analysis of each one of the elements of vocal expression , we have the same general and individual inquiries to make : 1. What general degree of force will best express the ' general spirit ...
Σελίδα xxii
... importance . 66 Learning is better than wealth ; Culture is better than learning ; Wisdom is better than culture . " ANALYSIS . 66 6 The general spirit ' or ' kind ' is unemotional . ' The ' standard force ' is , therefore , moderate ...
... importance . 66 Learning is better than wealth ; Culture is better than learning ; Wisdom is better than culture . " ANALYSIS . 66 6 The general spirit ' or ' kind ' is unemotional . ' The ' standard force ' is , therefore , moderate ...
Σελίδα xxvii
... importance . EXPLANATION . ' Emphatic time ' has two forms . 1. That of actual sound , or ' quantity . 2. That of rest , or ' pause . ' When an emphatic idea is found in a word whose accented syllable is long , give most of the emphatic ...
... importance . EXPLANATION . ' Emphatic time ' has two forms . 1. That of actual sound , or ' quantity . 2. That of rest , or ' pause . ' When an emphatic idea is found in a word whose accented syllable is long , give most of the emphatic ...
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
abrupt stress admirable arms battle beauty blessed bold born breath called cataract character circumflex clouds dark dead death deep earth elocution eloquence emphatic England example expression falling slide Farne Islands feeling fire flowers force forever gentle give glorious glory grace Grace Darling grave Greece hand Harvard College heard heart heaven Helvellyn hill honor hope hour Hubert human ideas irreligion Ivanhoe joyous king land liberty light live Longstone look Lord loud Massachusetts median stress mind mother mountain natural never night noble o'er pauses phatic pieces pitch poems poet poetry pure quality resonant consonants Rip Van Winkle rising rock scene Scotland sentiment shore SIR WALTER SCOTT smooth stress soul sound spirit sweet syllables tell thee thine thou thought tion tone truth unemotional unemphatic voice waves words Yale College
Δημοφιλή αποσπάσματα
Σελίδα lxv - How sweet the moonlight sleeps upon this bank ! Here will we sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
Σελίδα lxiv - What thou art, we know not ; What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody.
Σελίδα 364 - Thy waters wasted them while they were free, And many a tyrant since; their shores obey The stranger, slave, or savage; their decay Has dried up realms to deserts: — not so thou, Unchangeable save to thy wild waves' play — Time writes no wrinkle on thine azure brow — Such as creation's dawn beheld thou rollest now.
Σελίδα 406 - The breezy call of incense-breathing morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed.
Σελίδα 418 - But yesterday the word of Caesar might Have stood against the world ; now lies he there, And none so poor to do him reverence.
Σελίδα 229 - This many summers in a sea of glory, But far beyond my depth: my high-blown pride At length broke under me and now has left me, Weary and old with service, to the mercy Of a rude stream, that must for ever hide me.
Σελίδα 418 - Ingratitude, more strong than traitors' arms, Quite vanquished him. Then burst his mighty heart, And in his mantle muffling up his face, Even at the base of Pompey's statue, (Which all the while ran blood), great Caesar fell.
Σελίδα 286 - Jura, whose capt heights appear Precipitously steep; and drawing near, There breathes a living fragrance from the shore, Of flowers yet fresh with childhood ; on the ear Drops the light drip of the suspended oar, Or chirps the grasshopper one good-night carol more...
Σελίδα 406 - For them no more the blazing hearth shall burn Or busy housewife ply her evening care, No children run to lisp their sire's return Or climb his knees the envied kiss to share.
Σελίδα 231 - Cromwell, I did not think to shed a tear In all my miseries; but thou hast forced me, Out of thy honest truth, to play the woman. Let's dry our eyes: and thus far hear me, Cromwell; And, when I am forgotten, as I shall be, And sleep in dull cold marble, where no mention Of me more must be heard of, say, I taught thee...