Greek, Roman and Byzantine Studies, Τόμος 131972 |
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Σελίδα 241
... early comedy , therefore , is the more persuasive . In the Chicago juglet it thus appears that we have a very early representation of satyric and comic choruses inspired by contempo- rary performances.12 Apart from the black - figure ...
... early comedy , therefore , is the more persuasive . In the Chicago juglet it thus appears that we have a very early representation of satyric and comic choruses inspired by contempo- rary performances.12 Apart from the black - figure ...
Σελίδα 242
... early decades of the fifth century and reflect either a particular play that the painters saw or the rising popularity of such choruses.16 The group of the satyr - craftsmen on the Chicago juglet is unique . The first publisher ...
... early decades of the fifth century and reflect either a particular play that the painters saw or the rising popularity of such choruses.16 The group of the satyr - craftsmen on the Chicago juglet is unique . The first publisher ...
Σελίδα 390
... early comedy , but the probability which presents itself if one reads Pollux 4.106f consecutively is that he is drawing upon a very full textbook on drama and not delving himself into early plays for rare words . • The information which ...
... early comedy , but the probability which presents itself if one reads Pollux 4.106f consecutively is that he is drawing upon a very full textbook on drama and not delving himself into early plays for rare words . • The information which ...
Περιεχόμενα
Pandoras Diseases Erga 10204 R M FRAZER | 235 |
Interpolation in Greek Tragedy I MICHAEL D REEVE | 247 |
The Central Myth of Platos Phaedrus ANNE LEBECK | 267 |
11 άλλες ενότητες δεν εμφανίζονται
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
actor Aeschylus Agora amber beads argument Aristotle Aristotle's Arnott Asklepiades Athens audience Baltic Baumert Bouleuterion Bühring Byzantine CHAMBER TOMB chariot Chorus Chrysoloras Clytemnestra deletion described dialogue diameter Dionysus door Dörpfeld eastern parodos Erbse Erbse's Eteocles ethical ethos Eumenides Euripides evidence façade Fraenkel Grave Circle Greek Hadrian Heinrich Schliemann Hermes historia Homer icropía interpolation later Leipzig LEKYTHOS Lexiphanes literary Lucian Meyer Midas mound Mycenae myth NEUBUKOW op.cit orchestra Oresteia Orestes Oxford pagos palace parodos passage Periclean theatre Persae Phaedrus Philostr Phoen Plato play Pollux precinct of Dionysus Prometheus ps.-Oppian reference Rhet rhetoric rock satyrs Schliemann Selbstbiographie Sextus SHAFT GRAVE skene Socrates sophist Sophocles soul speech Suda supra n.1 Thespis tion tragedy Varro vase Verus Wace Webster wings words Zeus ἀλλ γὰρ δὲ δὴ ἐκ ἐν καὶ μὲν οἱ οὐ οὐκ περὶ τὰ τε τὴν τῆς τὸ τοῖς τὸν τοῦ τῶν ὡς