Greek, Roman and Byzantine Studies, Τόμος 131972 |
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Σελίδα 424
... parodos , and this parodos lay behind the rock on which Prometheus was so clamped that he faced the audience and the forward part of the orchestra . Thus the relationship of parodos , pagos and orchestra has to be as I have shown it on ...
... parodos , and this parodos lay behind the rock on which Prometheus was so clamped that he faced the audience and the forward part of the orchestra . Thus the relationship of parodos , pagos and orchestra has to be as I have shown it on ...
Σελίδα 425
... parodos , down which Prometheus can see because Pro- metheus is on the eastern side of the orchestra and facing into it . In this play , then , the eastern parodos leads to the caves of Ocean and the farthest lands , and the western parodos ...
... parodos , down which Prometheus can see because Pro- metheus is on the eastern side of the orchestra and facing into it . In this play , then , the eastern parodos leads to the caves of Ocean and the farthest lands , and the western parodos ...
Σελίδα 426
... parodos . Its back was used as a changing room , so that the actor could move unseen from the mound into it and then from it into the eastern parodos , from which he emerged as Xerxes . This parodos , then , was used by persons coming ...
... parodos . Its back was used as a changing room , so that the actor could move unseen from the mound into it and then from it into the eastern parodos , from which he emerged as Xerxes . This parodos , then , was used by persons coming ...
Περιεχόμενα
Pandoras Diseases Erga 10204 R M FRAZER | 235 |
Interpolation in Greek Tragedy I MICHAEL D REEVE | 247 |
The Central Myth of Platos Phaedrus ANNE LEBECK | 267 |
11 άλλες ενότητες δεν εμφανίζονται
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
actor Aeschylus Agora amber beads argument Aristotle Aristotle's Arnott Asklepiades Athens audience Baltic Baumert Bouleuterion Bühring Byzantine CHAMBER TOMB chariot Chorus Chrysoloras Clytemnestra deletion described dialogue diameter Dionysus door Dörpfeld eastern parodos Erbse Erbse's Eteocles ethical ethos Eumenides Euripides evidence façade Fraenkel Grave Circle Greek Hadrian Heinrich Schliemann Hermes historia Homer icropía interpolation later Leipzig LEKYTHOS Lexiphanes literary Lucian Meyer Midas mound Mycenae myth NEUBUKOW op.cit orchestra Oresteia Orestes Oxford pagos palace parodos passage Periclean theatre Persae Phaedrus Philostr Phoen Plato play Pollux precinct of Dionysus Prometheus ps.-Oppian reference Rhet rhetoric rock satyrs Schliemann Selbstbiographie Sextus SHAFT GRAVE skene Socrates sophist Sophocles soul speech Suda supra n.1 Thespis tion tragedy Varro vase Verus Wace Webster wings words Zeus ἀλλ γὰρ δὲ δὴ ἐκ ἐν καὶ μὲν οἱ οὐ οὐκ περὶ τὰ τε τὴν τῆς τὸ τοῖς τὸν τοῦ τῶν ὡς