Greek, Roman and Byzantine Studies, Τόμος 131972 |
Αναζήτηση στο βιβλίο
Αποτελέσματα 1 - 3 από τα 26.
Σελίδα 399
... persons standing immediately in front of oneself . As the main performance was the dancing of fifty persons , it was desirable for viewers to be elevated in tiers , if they were to see the pattern of movement and judge the competitors ...
... persons standing immediately in front of oneself . As the main performance was the dancing of fifty persons , it was desirable for viewers to be elevated in tiers , if they were to see the pattern of movement and judge the competitors ...
Σελίδα 416
... persons in the plays of Aeschylus spoke naturally in dialogue and occasionally in soliloquy , whereas persons in the plays of Euripides spoke often unrealistically in solilo- quy or asides or humorous innuendo . In the same way it seems ...
... persons in the plays of Aeschylus spoke naturally in dialogue and occasionally in soliloquy , whereas persons in the plays of Euripides spoke often unrealistically in solilo- quy or asides or humorous innuendo . In the same way it seems ...
Σελίδα 448
... persons on the pagos but rather between one person on the pagos and a person or persons in the orchestra . There was little oppor- tunity for painting or decoration , because the forward part of the skene , when it was used , faced into ...
... persons on the pagos but rather between one person on the pagos and a person or persons in the orchestra . There was little oppor- tunity for painting or decoration , because the forward part of the skene , when it was used , faced into ...
Περιεχόμενα
Pandoras Diseases Erga 10204 R M FRAZER | 235 |
Interpolation in Greek Tragedy I MICHAEL D REEVE | 247 |
The Central Myth of Platos Phaedrus ANNE LEBECK | 267 |
11 άλλες ενότητες δεν εμφανίζονται
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
actor Aeschylus Agora amber beads argument Aristotle Aristotle's Arnott Asklepiades Athens audience Baltic Baumert Bouleuterion Bühring Byzantine CHAMBER TOMB chariot Chorus Chrysoloras Clytemnestra deletion described dialogue diameter Dionysus door Dörpfeld eastern parodos Erbse Erbse's Eteocles ethical ethos Eumenides Euripides evidence façade Fraenkel Grave Circle Greek Hadrian Heinrich Schliemann Hermes historia Homer icropía interpolation later Leipzig LEKYTHOS Lexiphanes literary Lucian Meyer Midas mound Mycenae myth NEUBUKOW op.cit orchestra Oresteia Orestes Oxford pagos palace parodos passage Periclean theatre Persae Phaedrus Philostr Phoen Plato play Pollux precinct of Dionysus Prometheus ps.-Oppian reference Rhet rhetoric rock satyrs Schliemann Selbstbiographie Sextus SHAFT GRAVE skene Socrates sophist Sophocles soul speech Suda supra n.1 Thespis tion tragedy Varro vase Verus Wace Webster wings words Zeus ἀλλ γὰρ δὲ δὴ ἐκ ἐν καὶ μὲν οἱ οὐ οὐκ περὶ τὰ τε τὴν τῆς τὸ τοῖς τὸν τοῦ τῶν ὡς