Greek, Roman and Byzantine Studies, Τόμος 131972 |
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Σελίδα 388
... stage - building with a practicable door , unless we should rather think of Dareios appearing on the roof of his tomb . " Similarly , P. D. Arnott refers the raised stage and a building at the back of the orchestra to the time of the ...
... stage - building with a practicable door , unless we should rather think of Dareios appearing on the roof of his tomb . " Similarly , P. D. Arnott refers the raised stage and a building at the back of the orchestra to the time of the ...
Σελίδα 414
... stage and a back - entry . This second course seems to me the only practical one . Indeed an indication of it may be inferred from Dörpfeld's excava- tions . Neither Dörpfeld nor Dinsmoor asked why the only surviving parts of the ...
... stage and a back - entry . This second course seems to me the only practical one . Indeed an indication of it may be inferred from Dörpfeld's excava- tions . Neither Dörpfeld nor Dinsmoor asked why the only surviving parts of the ...
Σελίδα 448
... stage directions incorporated in the texts and the stage require- ments as far as we can envisage them . The nature of the theatre maintained the primary importance of the Chorus , and it tended to restrict the use of dialogue , which ...
... stage directions incorporated in the texts and the stage require- ments as far as we can envisage them . The nature of the theatre maintained the primary importance of the Chorus , and it tended to restrict the use of dialogue , which ...
Περιεχόμενα
Pandoras Diseases Erga 10204 R M FRAZER | 235 |
Interpolation in Greek Tragedy I MICHAEL D REEVE | 247 |
The Central Myth of Platos Phaedrus ANNE LEBECK | 267 |
11 άλλες ενότητες δεν εμφανίζονται
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
actor Aeschylus Agora amber beads argument Aristotle Aristotle's Arnott Asklepiades Athens audience Baltic Baumert Bouleuterion Bühring Byzantine CHAMBER TOMB chariot Chorus Chrysoloras Clytemnestra deletion described dialogue diameter Dionysus door Dörpfeld eastern parodos Erbse Erbse's Eteocles ethical ethos Eumenides Euripides evidence façade Fraenkel Grave Circle Greek Hadrian Heinrich Schliemann Hermes historia Homer icropía interpolation later Leipzig LEKYTHOS Lexiphanes literary Lucian Meyer Midas mound Mycenae myth NEUBUKOW op.cit orchestra Oresteia Orestes Oxford pagos palace parodos passage Periclean theatre Persae Phaedrus Philostr Phoen Plato play Pollux precinct of Dionysus Prometheus ps.-Oppian reference Rhet rhetoric rock satyrs Schliemann Selbstbiographie Sextus SHAFT GRAVE skene Socrates sophist Sophocles soul speech Suda supra n.1 Thespis tion tragedy Varro vase Verus Wace Webster wings words Zeus ἀλλ γὰρ δὲ δὴ ἐκ ἐν καὶ μὲν οἱ οὐ οὐκ περὶ τὰ τε τὴν τῆς τὸ τοῖς τὸν τοῦ τῶν ὡς