The Diliman Review, Τόμος 11College of Arts and Sciences, University of the Philippines, 1963 Devoted to letters, the arts and discussion. |
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Σελίδα 234
... miyabi " already car- ried the aesthetic connotation that it carries up to now . The problem is to find out why " miyabi " from the Heian period downwards has come to mean only some- thing aesthetic . For a time the same characters used ...
... miyabi " already car- ried the aesthetic connotation that it carries up to now . The problem is to find out why " miyabi " from the Heian period downwards has come to mean only some- thing aesthetic . For a time the same characters used ...
Σελίδα 235
same character for " miyabi " can be read as " uru- washii " , that is , the opposite of gorgeous or colorful . It is quiet elegance which is the opposite of colorful gaiety . It is clear that " miyabi " in the Heian period referred to ...
same character for " miyabi " can be read as " uru- washii " , that is , the opposite of gorgeous or colorful . It is quiet elegance which is the opposite of colorful gaiety . It is clear that " miyabi " in the Heian period referred to ...
Σελίδα 248
... miyabi " already car- ied the aesthetic connotation that it carries up to now . The problem is to find out why " miyabi " from the Heian period downwards has come to mean only some- hing aesthetic . For a time the same characters used o ...
... miyabi " already car- ied the aesthetic connotation that it carries up to now . The problem is to find out why " miyabi " from the Heian period downwards has come to mean only some- hing aesthetic . For a time the same characters used o ...
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ILIMAN REVIEW | 1 |
rminates with the message that is intended | 4 |
bindranath Tagore Deanna Recto | 57 |
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