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Who fail'd under the heat of this Not with lost toil thou laborest

life's day,

through the night!

indeed thy home.

Support the fervors of the heavenly Thou mak'st the heaven thou hop'st

morn?

AUSTERITY OF POETRY.

THAT Son of Italy who tried to blow, Ere Dante came, the trump of sacred

song,

In his light youth amid a festal throng

Sate with his bride to see a public show.

Fair was the bride, and on her front did glow

Youth like a star; and what to youth belong

Gay raiment, sparkling gauds, elation strong.

A prop gave way! crash fell a platform! lo,

Mid struggling sufferers, hurt to death, she lay! Shuddering, they drew her garments off-and found

A robe of sackcloth next the smooth, white skin.

Such, poets, is your bride, the Muse! young, gay,

Radiant, adorn'd outside; a hidden ground

Of thought and of austerity within.

[From Memorial Verses.]
GOETHE.

He took the suffering human race, He read each wound, each weakness clear;

And struck his finger on the place,

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And said: Thou ailest here, and From the intense, clear, star-sown

here!

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vault of heaven,

Over the lit sea's unquiet way,

In the rustling night-air came the

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"And with joy the stars perform In their own tasks all their powers

their shining,

And the sea its long moon-silver'd

roll;

For self-poised they live, nor pine with noting

All the fever of some differing soul.

"Bounded by themselves, and unregardful

In what state God's other works may be,

pouring,

These attain the mighty life you

see."

O air-born voice! long since, severely
clear,

A cry like thine in mine own heart
I hear:

"Resolve to be thyself; and know,
that he

Who finds himself, loses his misery!"

PHILIP JAMES BAILEY.

THE TRUE MEASURE OF LIFE.

WE live in deeds, not years; in thoughts, not breath;
In feelings, not in figures on the dial.

We should count time by heart-throbs when they beat
For God, for man, for duty. He most lives,
Who thinks most, feels noblest, acts the best.
Life is but a means unto an end-that end.
Beginning, mean, and end to all things, God.

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And maid, whose cheek outblooms the rose,

As bright the blazing fagot glows, Who, bending to the friendly light Plies her task with busy sleight; Come, show thy tricks and sportive graces,

Thus circled round with merry faces.

Backward coil'd, and crouching low,

With glaring eyeballs watch thy foe, The housewife's spindle whirling round,

Or thread, or straw, that on the ground

Its shadow throws, by urchin sly
Held out to lure thy roving eye;
Then onward stealing, fiercely spring
Upon the futile, faithless thing.
Now, wheeling round, with bootless
skill,

Thy bo-peep tail provokes thee still,
As oft beyond thy curving side
Its jetty tip is seen to glide;
Till from thy centre, starting fair,
Thou sidelong rear'st, with rump in
air,

Erected stiff, and gait awry,

Like madam in her tantrums high: Though ne'er a madam of them all, Whose silken kirtle sweeps the hall More varied trick and whim displays, To catch the admiring stranger's gaze....

But not alone by cottage fire
Do rustics rude thy feats admire;
The learned sage, whose thoughts
explore

The widest range of human lore,
Or, with unfetter'd fancy, fly
Through airy heights of poesy,
Pausing, smiles with alter'd air,
To see thee climb his elbow-chair,
Or, struggling on the mat below,
Hold warfare with his slipper'd toe.
The widow'd dame, or lonely maid,
Who in the still, but cheerless shade
Of home unsocial, spends her age,
And rarely turns a letter'd page:
Upon her hearth for thee lets fall
The rounded cork, or paper ball,

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Он, welcome bat and owlet gray, Thus winging low your airy way! And welcome moth and drowsy fly That to mine ear comes humming by! And welcome shadows dim and deep, And stars that through the pale sky peep;

Oh welcome all! to me ye say
My woodland love is on her way.

Upon the soft wind floats her hair,
Her breath is on the dewy air;
Her steps are in the whisper'd sound,
That steals along the stilly ground.
Oh, dawn of day, in rosy bower,
What art thou to this witching hour?
Oh, noon of day, in sunshine bright,
What art thou to this fall of night?

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Chide not her mirth who was sad yesterday,

Nor chides thee on thy wicked watch | And may be so to-morrow.)

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