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On an Intaglio Head of Minerva


Minerva? No! 'tis some sly minx

In cousin's helmet masquerading;
If not—then Wisdom was a dame

For sonnets and for serenading!
I thought the goddess cold, austere,

Not made for love's despairs and blisses:
Did Pallas wear her hair like that?

Was Wisdom's mouth so shaped for kisses? The Nightingale should be her bird,

And not the Owl, big-eyed and solemn: How very fresh she looks, and yet

She's older far than Trajan's Column! The magic hand that carved this face,

And set this vine-work round it running, Perhaps ere mighty Phidias wrought,

Had lost its subtle skill and cunning. Who was he? Was he glad or sad,

Who knew to carve in such a fashion? Perchance he graved the dainty head

For some brown girl that scorned his passion. Perchance, in some still garden-place,

Where neither fount nor tree to-day is, He flung the jewel at the feet

Of Phryne, or perhaps 'twas Laïs. But he is dust; we may not know

His happy or unhappy story: Nameless, and dead these centuries,

His work outlives him,--there's his glory!
Both man and jewel lay in earth

Beneath a lava-buried city;
The countless summers came and went,

With neither haste, nor hate, nor pity.
Years blotted out the man, but left

The jewel fresh as any blossom, Till some Visconti dug it up,

To rise and fall on Mabel's bosom!

O nameless brother! see how Time

Your gracious handiwork has guarded:
See how your loving, patient art

Has come, at last, to be rewarded.

Who would not suffer slights of men,

And pangs of hopeless passion also,
To have his carven agate-stone
On such a bosom rise and fall so!

Thomas Bailey Aldrich (1837-1907)





I say it under the rose

oh, thanks!-yes, under the laurel, We part lovers, not foes;

we are not going to quarrel.

We have too long been friends

on foot and in gilded coaches, Now that the whole thing ends,

to spoil our kiss with reproaches.

I leave you; my soul is wrung;

I pause, look back from the portal -
Ah, I no more am young,

and you, child, you are immortal!
Mine is the glacier's way,

yours is the blossom's weatherWhen were December and May

known to be happy together?

Before my kisses grow tame,

before my moodiness grieve you, While yet my heart is flame,

and I all lover, I leave you.

Pan in Wall Street


So, in the coming time,

when you count the rich years over, Think of me in my prime,

and not as a white-haired lover, Fretful, pierced with regret,

the wraith of a dead Desire Thrumming a cracked spinet

by a slowly dying fire. When, at last, I am cold

years hence, if the gods so will itSay, "He was true as gold,” and wear

rose in your fillet! Others, tender as I,

will come and sue for caresses, Woo you, win you, and die

mind you, a rose in your tresses! Some Melpomene woo,

some hold Clio the nearest; You, sweet Comedy—you

were ever sweetest and dearest!

I was

Nay, it is time to go.

When writing your tragic sister Say to that child of woe how sorry

I missed her. Really, I cannot stay,

though “parting is such sweet sorrow" Perhaps I will, on my way down-town, look in to-morrow!

Thomas Bailey Aldrich (1837–1907]


A. D. 1867
Just where the Treasury's marble front

Looks over Wall Street's mingled nations;
Where Jews and Gentiles most are wont

To throng for trade and last quotations;

Where, hour by hour, the rates of gold

Outrival, in the ears of people, The quarter-chimes, serenely tolled

From Trinity's undaunted steeple,

Even there I heard a strange, wild strain

Sound high above the modern clamor, Above the cries of greed and gain,

The curbstone war, the auction's hammer; And swift, on Music's misty ways,

It led, from all this strife for millions, To ancient, sweet-to-nothing days

Among the kirtle-robed Sicilians.

And as it stilled the multitude,

And yet more joyous rose, and shriller, I saw the minstrel, where he stood

At ease against a Doric pillar: One hand a droning organ played,

The other held a Pan’s-pipe (fashioned Like those of old) to lips that made

The reeds give out that strain impassioned.


'Twas Pan himself had wandered here

A-strolling through this sordid city, And piping to the civic ear

The prelude of some pastoral ditty! The demigod had crossed the seas,

From haunts of shepherd, nymph, and satyr, And Syracusan times,-to these

Far shores and twenty centuries later.

A ragged cap was on his head;

But-hidden thus there was no doubting That, all with crispy locks o'erspread,

His gnarlèd horns were somewhere sprouting; His club-feet, cased in rusty shoes,

Were crossed, as on some frieze you see them, And trousers, patched of divers hues,

Concealed his crooked shanks beneath them.

Pan in Wall Street


He filled the quivering reeds with sound,

And o'er his mouth their changes shifted, And with his goat's-eyes looked around

Where'er the passing current drifted; And soon, as on Trinacrian hills

The nymphs and herdsmen ran to hear him, Even now the tradesmen from their tills,

With clerks and porters, crowded near him.

The bulls and bears together drew

From Jauncey Court and New Street Alley, As erst, if pastorals be true,

Came beasts from every wooded valley; The random passers stayed to list, –

A boxer Ægon, rough and merry, A Broadway Daphnis, on his tryst

With Nais at the Brooklyn Ferry.

A one-eyed Cyclops halted long

In tattered cloak of army pattern, And Galatea joined the throng, -

A blowsy, apple-vending slattern; While old Silenus staggered out

From some new-fangled lunch-house handy, And bade the piper, with a shout,

To strike up Yankee Doodle Dandy!

A newsboy and a peanut-girl

Like little Fauns began to caper: His hair was all in tangled curl,

Her tawny legs were bare and taper; And still the gathering larger grew,

And gave its pence and crowded nigher, While aye the shepherd-minstrel blew

His pipe, and struck the gamut higher.

O heart of Nature, beating still

With throbs her vernal passion taught her, Even here, as on the vine-clad hill,

Or by the Arethusan water!

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