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" And marked the mild, angelic air, The rapture of repose that's there, The fixed yet tender traits that streak The languor of the placid cheek, And — but for that sad shrouded eye, That fires not, wins not, weeps not now, And but for that chill, changeless... "
The Living Authors of America: 1st ser - Σελίδα 84
των Thomas Powell - 1850 - 365 σελίδες
Πλήρης προβολή - Σχετικά με αυτό το βιβλίο

The Gentleman's Magazine, and Historical Chronicle, for ..., Τόμος 91,Μέρος 1

1821 - 712 σελίδες
...by the waiul of an enchanter, rather than reared by human hands. Myst. of Udol. v. Í. p. 34. Byron. He who hath bent him o'er the dead, Ere the first day of death is fled, ite. See the rest of this beautiful passage, »s far as Such is the aspect of this shore, Tis Greece,...

The British review and London critical journal

1813 - 574 σελίδες
...beauty, but which is an instance of the extended simile in which this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first day of'-death is fled ; The first dark day of nothingness, The last, of danger and distress ; (Before Decay's...

The Edinburgh Review: Or Critical Journal, Τόμος 21

1812 - 576 σελίδες
...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. ' He who hath bent him o'er the dead, Ere the first...danger and distress ; ( Before Decay's effacing fingers I lave swept the lines where beauty lingers,) And mark'd the mild angelic air—- The rapture of repose...

The British Review, and London Critical Journal, Τόμος 5

1813 - 580 σελίδες
...beauty, but which is an instance of the extended simile in which this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first...fixed yet tender traits that streak The languor of the placid cheek, And — but for that sad shrouded eye, That fires not — wins not — weeps not...

The Port Folio

1813 - 716 σελίδες
...consul at Athens. — FORT FOLIO. Receives him by the lovely light That bent becomes an eastern night. He who hath bent him o'er the dead, Ere the first...fingers Have swept the lines where Beauty lingers) And mark'd the mild angelic air — The rapture of repose that's there — The fii'd yet tender traits...

The Quarterly Review, Τόμοι 9-10

1813 - 1102 σελίδες
...on an eastern audience, and of the grotesque declamation and gestures of the Turkish story-teller. ' He who hath bent him o'er the dead, Ere the first...fingers Have swept the lines where beauty lingers,) And mark'd the mild angelic air— The rapture of repose that's there— The fixed yet tender traits that...

The Eclectic review. vol. 1-New [8th], Τόμος 10

1813 - 662 σελίδες
...shore, Rush the night-prowlers on the prey, And turn to groans his roundelay.! i>. 3. V<», X. Tt ' He who hath bent him o'er the dead, Ere the first...fingers Have swept the lines where beauty lingers, ) And mark'd the mild.angelic air — The rapture of repose .that's there — The fixed yet tender traits...

Analectic Magazine, and Naval Chronicle, Τόμος 2

1813 - 550 σελίδες
...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. " He who hath bent him o'er the dead, Ere, the first...fingers Have swept the lines where beauty lingers;) And mark'd the mild angelic air — The rapture of repose that's there — The fixed yet tender traits...

The Quarterly Review, Τόμος 10

1813 - 560 σελίδες
...delight; and we cannot refrain from quoting the following highly wrought and characteristic specimen. ' He who hath bent him o'er the dead, Ere the first...of danger and distress ; (Before Decay's effacing fmgers Have swept the lines where beauty lingers,) And mark'd the mild angelic air — The rapture...

The giaour, a fragment of a Turkish tale

George Gordon N. Byron (6th baron.) - 1813 - 90 σελίδες
...inheritors of hell — 65 So soft the scene, so form'd for joy, So curst the tyrants, that destroy ! He who hath bent him o'er the dead, Ere the first...death is fled ; The first dark day of nothingness, 10 The last of danger and distress ; (Before Decay's effacing fingers Have swept the lines where beauty...




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