Art In the Age of Mass MediaPluto Press, 20 Αυγ 2001 - 216 σελίδες Preface to the third edition p. vii Acknowledgements p. vii Introduction p. 1 1. Core Terms/Concepts p. 6 The Fine Arts p. 6 The Mass Media and Mass Culture p. 8 2. Art Uses Mass Culture p. 15 Courbet, Van Gogh and Popular Imagery p. 15 Pop Art Translates Mass Culture p. 22 American Pop p. 29 Formalism in Pop Art p. 34 The Politics of Pop p. 37 Transubstantiation p. 43 Indirect Influences of the Mass Media p. 47 3. The Mass Media Use Art p. 49 Art as Subject-matter p. 49 Image of the Artist in Advertisements p. 49 Art as a Source of Styles and Formal Innovations p. 52 Art as Subject-matter in the Cinema p. 56 Artists as a Pool of Skilled Labour p. 58 4. Mechanical Reproduction and the Fine Arts p. 67 5. High Culture: Affirmative or Negative? p. 78 6. Cultural Pluralism and Post-Modernism p. 83 Reporting the Zeitgeist p. 89 The Politics of Pluralism p. 90 7. Alternatives p. 93 John Heartfield and Photo-montage p. 95 Community Art/Murals p. 102 Political Art in the Galleries p. 106 8. Art and Mass Media in the 1980s p. 112 Cross-overs and Mass Avant-gardism p. 112 Simulacra p. 115 Art, Advertising and Billboards p. 118 Appropriationists p. 125 Plagiarists p. 132 Koons, the Master of Kitsch and Business Art p. 133 9. Artists and New Media Technologies p. 138 Photography p. 138 Photocopiers p. 140 Video p. 143 Computers p. 145 10. Art and Mass Media 1990-2000 p. 151 War, the Media and Art p. 151 Art and Surveillance p. 157 Art and Advertising p. 158 Art and Cinema p. 162 The Artist as Media Celebrity: Damien Hirst p. 164 Simulation p. 166 Digital Art p. 170 The Internet and Website Design p. 170 Museums p. 175 Melrose Place p. 176 11. Conclusion p. 179 Notes and References p. 181 Bibliography p. 189 Index p. 205. |
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
advert advertising aesthetic American artists Andy Warhol appeared architecture art and mass art galleries artworld audience avant-garde art Barbara Kruger became Benetton billboards bourgeois Britain British artist century cinema collage Collection colour comic commercial communication contemporary art copy Courbet creativity critical depicted Digital edition electronic entertainment example exhibition famous film Gogh graphic design groups high culture Hirst Holzer imagery images industrial Internet Jeff Koons Jenny Holzer John Heartfield Keith Haring kitsch Lichtenstein London machine mass culture mass media means mechanical reproduction medium Melrose Place Modern Art montage movie murals objects painter painting Photo courtesy photo-montage photocopiers photographs Picasso pictorial political Pop Art pop artists pop music popular culture post-modern poster Press prints produced reality representation Reproduced courtesy Richard Hamilton Roy Lichtenstein sculpture social society Stezaker studio styles Tate Gallery technologies television Thames values viewers visual arts York