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"The hand that has written this book shall decay, alas! and become dust, and go down to the grave, the corrupter of all bodies. But all ye who are of the portion of Christ, pray that I may obtain the pardon of my sins. Again and again I beseech you with tears, brothers and fathers, accept my miserable supplication, O holy choir! I am called John, woe is me! I am called Hiereus, or Sacerdos, in name only, not in unction."

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"Whoever shall carry away this book, without the permission of the Pope, may he incur the malediction of the Holy Trinity, of the Holy Mother of God, of Saint John the Baptist, of the one hundred and eighteen holy Nicene Fathers, and of all the Saints; the fate of Sodom and Gomorrah; and the halter of Judas! Anathema, amen."

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'Keep safe, O Trinity, Father, Son, and Holy Ghost, my three fingers, with which I have written this book.

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"Mathusalas Machir transcribed this divinest book in toil, infirmity, and dangers many." "Bacchius Barbardorius and Michael Sophianus wrote this book in sport and laughter, being the guests of their noble and common friend Vincentius Pinellus, and Petrus Nunnius, a most learned This last colophon, Montfaucon does not suffer to pass without reproof. "Other calligraphers," he remarks, "demand only the prayers of their readers, and the pardon of their sins: but these glory in their wantonness."

man.

Page 459. Drink down to your peg!

One of the canons of Archbishop Anselm, promulgated at the beginning of the twelfth century, ordains "that priests go not to drinking-bouts, nor drink to pegs." In the times of the hard-drinking Danes, King Edgar ordained that "pins or nails should be fastened into the drinking-cups or horns at stated distances, and whosoever should drink beyond those marks at one draught should be obnoxious to a severe punishment."

Sharpe, in his History of the Kings of England, says: "Our ancestors were formerly famous for compotation; their liquor was ale, and one method of amusing themselves in this way was with the peg-tankard. I had lately one of them in my hand. It had on the inside a row of eight pins, one above another, from top to bottom. It held two quarts, and was a noble piece of plate, so that there was a gill of ale, half a pint Winchester measure, between each peg. The law was, that every person that drank was to empty the space between pin and pin, so that the pins were so many measures to make the company all drink alike, and to swallow the same quantity of liquor. This was a pretty sure method of making all the company drunk, especially if it be considered that the rule was, that whoever drank short of his pin, or beyond it, was obliged to drink again, and even as deep as to the next pin."

Page 460. The convent of St. Gildas de Rhuys.

Abelard, in a letter to his friend Philintus, gives a sad picture of this monastery. "I live," he says, "in a barbarous country, the language of which I do not understand; I have no conversation but with the rudest people. my walks are on the inaccessible shore of a sea, which is perpetually stormy. my monks are only known by their dissoluteness, and living without any rule or order. could you see the abby, Philintus, you would not call it one. the doors and walks are without any ornament, except the heads of wild boars and hinds feet, which are nailed up against them, and the hides of frightful animals. the cells are hung with the skins of deer. the monks have not so much as a bell to wake them, the cocks and dogs supply that defect. in short, they pass their whole days in hunting; would to heaven that were their greatest fault; or that their pleasures terminated there! I endeavour in vain to recall them to their duty; they all combine against me, and I only expose myself to continual vexations and dangers. I imagine I see every moment a naked sword hang over my head. sometimes they surround me, and load me with infinite abuses; sometimes they abandon me, and I am left alone to my own tormenting thoughts. I make it my endeavour to merit by my sufferings, and to appease an angry God. sometimes I grieve for the loss of the house of the Paraclete, and wish to see it again. ah Philintus, does not the love of Heloise still burn in my heart? I have not yet triumphed over that unhappy passion. in the midst of my retirement I sigh, I weep, I pine, I speak the dear name Heloise, and am pleased to hear the sound."-Letters of the Celebrated Abelard and Heloise. Translated by Mr. John Hughes. Glasgow, 1751.

Page 469. Were it not for my magic garters and staff.

The method of making the Magic Garters and the Magic Staff is thus laid down in Les Secrets Merveilleux du Petit Albert, a French translation of Alberti Parvi Lucii Libellus de Mirabilibus Nature Arcanis :

"Gather some of the herb called motherwort, when the sun is entering the first degree of the sign of Capricorn; let it dry a little in the shade, and make some garters of the skin of a young hare; that is to say, having cut the skin of the hare into strips two inches wide, double them, sew the beforementioned herb between, and wear them on your legs. No horse can long keep up with a man on foot, who is furnished with these garters."-p. 128.

"Gather, on the morrow of All-Saints, a strong branch of willow, of which you will make a staff, fashioned to your liking. Hollow it out, by removing the pith from within, after having furnished the lower end with an iron ferule. Put into the bottom of the staff the two eyes of a young wolf, the tongue and heart of a dog, three green lizards, and the hearts of three swallows. These must all be dried in the sun, between two papers, having been first sprinkled with finely pulverized saltpetre. Besides all these, put into the staff seven leaves of vervain, gathered on the eve of St. John the Baptist, with a stone of divers colours, which you will find in the nest of the lapwing, and stop the end of the staff with a pomel of box, or of any other material you please, and be assured, that the staff will guarantee you from the perils and mishaps which too often befall travellers, either from robbers, wild beasts, mad dogs, or venomous animals. It will also procure you the good-will of those with whom you lodge."-p. 130.

Page 471. Saint Elmo's Stars.

So the Italian sailors call the phosphorescent gleams that sometimes play about the masts and rigging of ships.

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For a history of the celebrated schools of Salerno and Monte-Cassino, the reader is referred to Sir Alexander Croke's Introduction to the Regimen Sanitatis Salernitanum; and to Kurt Sprengel's Geschichte der Arzneikunde, I. 463, or Jourdan's French translation of it, Histoire de la Médicine, II. 354

Page 539.

That of our vices we can frame
A ladder.

The words of St. Augustine are,-" De vitiis nostris scalam nobis facimus, si vitia ipsa calcamus." Sermon III. De Ascensione.

Page 539. The Phantom Ship.

A detailed account of this "apparition of a Ship in the Air" is given by Cotton Mather in his Magnalia Christi, Book I. Ch. VI. It is contained in a letter from the Rev. James Pierpont, Pastor

of New Haven. To this account Mather adds these words:

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Reader, there being yet living so many credible gentlemen that were eye-witnesses of this wonderful thing, I venture to publish it for a thing as undoubted as 'tis wonderful."

Page 543. And the Emperor but a Macho.

Macho, in Spanish, signifies a mule. Golondrina is the feminine form of Golondrino, a swallow, and also a cant name for a deserter.

Page 546. Oliver Basselin.

gave to

Oliver Basselin, the "Père joyeux du Vaudeville," flourished in the fifteenth century, and his convivial songs the name of his native valleys, in which he sang them, Vaux-de-Vire. This name was afterwards corrupted into the modern Vaudeville.

Page 547. Victor Galbraith.

This poem is founded on fact. Victor Galbraith was a bugler in a company of volunteer cavalry, and was shot in Mexico for some breach of discipline. It is a common superstition among soldiers that no balls will kill them unless their names are written on them. The old proverb says, "Every bullet has its billet."

Page 548. I remember the sea-fight far away.

This was the engagement between the Enterprise and Boxer, off the harbour of Portland, in which both captains were slain. They were buried side by side, in the cemetery of Mountjoy.

Page 551. Santa Filomena.

"At Pisa the church of San Francisco contains a chapel dedicated lately to Santa Filomena; over the altar is a picture, by Sabatelli, representing the Saint as a beautiful nymph-like figure, floating down from heaven, attended by two angels bearing the lily, palm, and javelin, and beneath, in the foreground, the sick and maimed who are healed by her intercession."-MRS. JAMESON, Sacred and Legendary Art, II. 298.

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BIRDS OF PASSAGE-(continued)

Castles in Spain, 571

Belisarius, 568

Cadenabbia, 564
Charles Sumner, 563
Monte Cassino, 565

Sermon of St. Francis, The, 568
Songo River, 569

Travels by the Fireside, 564
FLIGHT THE FIFTH.

Ballad of the French Fleet, A, 574

Castles in Spain, 571

Delia, 578

Dutch Picture, A, 571

Emperor's Glove, The, 574
Haroun Al Raschid, 576

Herons of Elmwood, The, 570

King Trisanku, 576

Leap of Roushan Beg, The, 575.

Revenge of Rain-in-the-Face, The, 573

Song, 577

Three Kings, 'The, 576

Vittoria Colonna, 572
White Czar, The, 578

Wraith, A, in the Mist, 576

Yvette, To the River, 573

Black Knight, The, 249
Blacksmith, The Village, 17
Blessed are the Dead, 656
Blind Bartimeus, 20, 400

Blind Girl of Castèl-Cuillè, The, 54

Book-Mark, Santa Teresa's, 265
Born Blind, 406

Boston, 280

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Burns, Robert, 617

CADENABBIA, 564

Cæsarea Philippi, Coasts of, 402
Caiaphas, The Palace of, 415
Calendar, The Poet's, 621

Cambridge, In the Churchyard a', 542
Cambridge. St. John's, 280
Cana, The Marriage in, 385
Cancioneros, From the Spanish, 561
Canzone, 292
Carillon, 26

Carmilhan, The Ballad of, 343
Carol, A Christmas, 62

Casal-Maggiore, The Monk of, 369
Cassino, Monte, 565

Castèl-Cuille, The Blind Girl of, 54
Castine, The Baron of, 351
Castle-Builder, The, 560
Castle by the Sea, The. 249

Catawba Wine, 551

Cathedral Door, The Statue over the, 259
Cathedral, My, 620

Celestial Pilot, The, 242

Cemetery, The Jewish, at Newport, 545
Challenge of Thor, The, 308

Challenge, The, 561

Chamber, The Haunted, 559

Chamber, The, over the Gate, 610
Changed, 560

Channing, To William E., 22
Charlemagne, 357.

Charles, To the River, 19

Chaucer, 272

Chaudeau, At La, 629

Child Asleep, The, 245

Childhood, 653

Child, The Angel and the, 263
Child, To a, 34

Children, 554

Children of the Lord's Supper, The, 250

Children's Crusade, The, 623

Children's Hour, The, 556

Chimes, 625

Chimney, The Wind over the, 582

Christian, King, 246

Christmas Bells, 581

Christmas Carol, A, 62

Christmas, King Olaf's, 317

Churchyard at Tarrytown, In the, 276

Cinque Ports, The Warden of the, 540
City, The, and the Sea, 625

City, The Beleaguered, 6
Cleaveland Parker, 277

Clock, Four by the, 626

Clock, The Old, on the Stairs, 269

Cloud, The Bridge of, 580

Cloud, To the Driving, 37

Cobbler of Hagenau, The, 340

Colonna, To Vittoria, 291

Colonna, Vittoria, 572
Columbus, 640

Commedia Divina, 584

Consolation, 263

Coplas de Manrique, 235

Cornfields, Blessing the, 146

Cornfields, In the, 387

COURTSHIP OF Miles Standish, The, 93

CRANE, THE HANGING OF THE, 598

Crusade, The Children's, 623

Crew of the Long Serpent, The, 319
Crossbill, The Legend of the, 259
Crosses, The Three, 420
Cumberland, The, 557
Curfew, 38

Czar, The White, 578

DANISH Song-Book. To an Old, 267
Dante, 270, 292, 583, 641
Day of Sunshine, A, 558
Day, An April, 7

Day, The, is Done, 266
Day, The Rainy, 19
Day, The Wedding, 111
Daybreak, 553

Daylight and Moonlight, 544
Dead, The, 247

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Fragment, A, 628

French Fleet, A Ballad of the, 574
French, From the, 629

Hymn of the Moravian Nuns at Bethlehem, 9 Friar Lubin, 655

Spirit of Poetry, The, 10

Sunrise on the Hills, 10
Woods in Winter, 9

Earl Sigvald and King Olaf, 322

Ecce Homo, 418

Eclogue, Virgil's First, 282

Edenhall, The Luck of, 15

Einar Tamberskelver, 323

Elected Knight, The, 16
Eleg ac. 617

Elegiac Verse, 627
Eliot's Oak, 276
Elizabeth, 363

Elmwood, The Herons of, 570

Emma and Eginhard, 359

Emperor's Bird's Nest, The, 543

Emperor's Glove, The, 574
Enceladus, 556

Endymion, 18

Epilogue, 423

Epimetheus, or the Poet's Afterthought, 561

Epimetheus, The House of, 591, 595
Errand, The Lover's, 96

EVANGELINE, 63

Evening Star, The, 44. 270

Evening Star, The Son of the, 142

Excelsior! 21

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Friends, Three, of Mine, 271

Friendship, Love and, 94

Frithiof's Homestead, 651

Frithiof's Temptation, 652

Fugitive, The, 260

GADARA, The Demoniac of, 391

Gain and Loss, 630

Galaxy, The, 273

Galbraith, Victor, 547

Garden, In the, 592, 596

Garden of Gethsemane, The, 414

Garfield, 611

Gaspar Becerra, 51

Gates of Macharus, Before the, 395

Ghost, The Mother's, 377

Ghosts, The, 160

Gilbert, Sir Humphry, 45

GILES COREY OF THE SALEM FARMS, 511
Giotto's Tower, 583

Girl, the Lunatic, 634

Girl, The Quadroon, 24
Gleam of Sunshine, A, 28

Glove, The Emperor's, 574
Goblet of Life, The, 20
God, The Image of, 242
God's Acre, 19

GOLDEN LEGEND, THE, 425

Golden Milestone, The, 550

Gondolier, The Venetian, 636

Good Part, The, 23

Good Shepherd. The, 241
Grave, a Nameless, 274

Grave, Dirge over a Nameless, 636

Grave, The, 245

Gudrun, 314

HAGENAU, The Cobbler of, 340

Hair, The Two Lecks of, 18

HANGING OF THE CRANE, THE, 598

Happiest Land, The, 246

HARBOR, IN THE, 621

Autumn Within, 630

Avon, To the, 626

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