"The hand that has written this book shall decay, alas! and become dust, and go down to the grave, the corrupter of all bodies. But all ye who are of the portion of Christ, pray that I may obtain the pardon of my sins. Again and again I beseech you with tears, brothers and fathers, accept my miserable supplication, O holy choir! I am called John, woe is me! I am called Hiereus, or Sacerdos, in name only, not in unction." " "Whoever shall carry away this book, without the permission of the Pope, may he incur the malediction of the Holy Trinity, of the Holy Mother of God, of Saint John the Baptist, of the one hundred and eighteen holy Nicene Fathers, and of all the Saints; the fate of Sodom and Gomorrah; and the halter of Judas! Anathema, amen." " 'Keep safe, O Trinity, Father, Son, and Holy Ghost, my three fingers, with which I have written this book. " "Mathusalas Machir transcribed this divinest book in toil, infirmity, and dangers many." "Bacchius Barbardorius and Michael Sophianus wrote this book in sport and laughter, being the guests of their noble and common friend Vincentius Pinellus, and Petrus Nunnius, a most learned This last colophon, Montfaucon does not suffer to pass without reproof. "Other calligraphers," he remarks, "demand only the prayers of their readers, and the pardon of their sins: but these glory in their wantonness." man. Page 459. Drink down to your peg! One of the canons of Archbishop Anselm, promulgated at the beginning of the twelfth century, ordains "that priests go not to drinking-bouts, nor drink to pegs." In the times of the hard-drinking Danes, King Edgar ordained that "pins or nails should be fastened into the drinking-cups or horns at stated distances, and whosoever should drink beyond those marks at one draught should be obnoxious to a severe punishment." Sharpe, in his History of the Kings of England, says: "Our ancestors were formerly famous for compotation; their liquor was ale, and one method of amusing themselves in this way was with the peg-tankard. I had lately one of them in my hand. It had on the inside a row of eight pins, one above another, from top to bottom. It held two quarts, and was a noble piece of plate, so that there was a gill of ale, half a pint Winchester measure, between each peg. The law was, that every person that drank was to empty the space between pin and pin, so that the pins were so many measures to make the company all drink alike, and to swallow the same quantity of liquor. This was a pretty sure method of making all the company drunk, especially if it be considered that the rule was, that whoever drank short of his pin, or beyond it, was obliged to drink again, and even as deep as to the next pin." Page 460. The convent of St. Gildas de Rhuys. Abelard, in a letter to his friend Philintus, gives a sad picture of this monastery. "I live," he says, "in a barbarous country, the language of which I do not understand; I have no conversation but with the rudest people. my walks are on the inaccessible shore of a sea, which is perpetually stormy. my monks are only known by their dissoluteness, and living without any rule or order. could you see the abby, Philintus, you would not call it one. the doors and walks are without any ornament, except the heads of wild boars and hinds feet, which are nailed up against them, and the hides of frightful animals. the cells are hung with the skins of deer. the monks have not so much as a bell to wake them, the cocks and dogs supply that defect. in short, they pass their whole days in hunting; would to heaven that were their greatest fault; or that their pleasures terminated there! I endeavour in vain to recall them to their duty; they all combine against me, and I only expose myself to continual vexations and dangers. I imagine I see every moment a naked sword hang over my head. sometimes they surround me, and load me with infinite abuses; sometimes they abandon me, and I am left alone to my own tormenting thoughts. I make it my endeavour to merit by my sufferings, and to appease an angry God. sometimes I grieve for the loss of the house of the Paraclete, and wish to see it again. ah Philintus, does not the love of Heloise still burn in my heart? I have not yet triumphed over that unhappy passion. in the midst of my retirement I sigh, I weep, I pine, I speak the dear name Heloise, and am pleased to hear the sound."-Letters of the Celebrated Abelard and Heloise. Translated by Mr. John Hughes. Glasgow, 1751. Page 469. Were it not for my magic garters and staff. The method of making the Magic Garters and the Magic Staff is thus laid down in Les Secrets Merveilleux du Petit Albert, a French translation of Alberti Parvi Lucii Libellus de Mirabilibus Nature Arcanis : "Gather some of the herb called motherwort, when the sun is entering the first degree of the sign of Capricorn; let it dry a little in the shade, and make some garters of the skin of a young hare; that is to say, having cut the skin of the hare into strips two inches wide, double them, sew the beforementioned herb between, and wear them on your legs. No horse can long keep up with a man on foot, who is furnished with these garters."-p. 128. "Gather, on the morrow of All-Saints, a strong branch of willow, of which you will make a staff, fashioned to your liking. Hollow it out, by removing the pith from within, after having furnished the lower end with an iron ferule. Put into the bottom of the staff the two eyes of a young wolf, the tongue and heart of a dog, three green lizards, and the hearts of three swallows. These must all be dried in the sun, between two papers, having been first sprinkled with finely pulverized saltpetre. Besides all these, put into the staff seven leaves of vervain, gathered on the eve of St. John the Baptist, with a stone of divers colours, which you will find in the nest of the lapwing, and stop the end of the staff with a pomel of box, or of any other material you please, and be assured, that the staff will guarantee you from the perils and mishaps which too often befall travellers, either from robbers, wild beasts, mad dogs, or venomous animals. It will also procure you the good-will of those with whom you lodge."-p. 130. Page 471. Saint Elmo's Stars. So the Italian sailors call the phosphorescent gleams that sometimes play about the masts and rigging of ships. For a history of the celebrated schools of Salerno and Monte-Cassino, the reader is referred to Sir Alexander Croke's Introduction to the Regimen Sanitatis Salernitanum; and to Kurt Sprengel's Geschichte der Arzneikunde, I. 463, or Jourdan's French translation of it, Histoire de la Médicine, II. 354 Page 539. That of our vices we can frame The words of St. Augustine are,-" De vitiis nostris scalam nobis facimus, si vitia ipsa calcamus." Sermon III. De Ascensione. Page 539. The Phantom Ship. A detailed account of this "apparition of a Ship in the Air" is given by Cotton Mather in his Magnalia Christi, Book I. Ch. VI. It is contained in a letter from the Rev. James Pierpont, Pastor of New Haven. To this account Mather adds these words: Reader, there being yet living so many credible gentlemen that were eye-witnesses of this wonderful thing, I venture to publish it for a thing as undoubted as 'tis wonderful." Page 543. And the Emperor but a Macho. Macho, in Spanish, signifies a mule. Golondrina is the feminine form of Golondrino, a swallow, and also a cant name for a deserter. Page 546. Oliver Basselin. gave to Oliver Basselin, the "Père joyeux du Vaudeville," flourished in the fifteenth century, and his convivial songs the name of his native valleys, in which he sang them, Vaux-de-Vire. This name was afterwards corrupted into the modern Vaudeville. Page 547. Victor Galbraith. This poem is founded on fact. Victor Galbraith was a bugler in a company of volunteer cavalry, and was shot in Mexico for some breach of discipline. It is a common superstition among soldiers that no balls will kill them unless their names are written on them. The old proverb says, "Every bullet has its billet." Page 548. I remember the sea-fight far away. This was the engagement between the Enterprise and Boxer, off the harbour of Portland, in which both captains were slain. They were buried side by side, in the cemetery of Mountjoy. Page 551. Santa Filomena. "At Pisa the church of San Francisco contains a chapel dedicated lately to Santa Filomena; over the altar is a picture, by Sabatelli, representing the Saint as a beautiful nymph-like figure, floating down from heaven, attended by two angels bearing the lily, palm, and javelin, and beneath, in the foreground, the sick and maimed who are healed by her intercession."-MRS. JAMESON, Sacred and Legendary Art, II. 298. BIRDS OF PASSAGE-(continued) Castles in Spain, 571 Belisarius, 568 Cadenabbia, 564 Sermon of St. Francis, The, 568 Travels by the Fireside, 564 Ballad of the French Fleet, A, 574 Castles in Spain, 571 Delia, 578 Dutch Picture, A, 571 Emperor's Glove, The, 574 Herons of Elmwood, The, 570 King Trisanku, 576 Leap of Roushan Beg, The, 575. Revenge of Rain-in-the-Face, The, 573 Song, 577 Three Kings, 'The, 576 Vittoria Colonna, 572 Wraith, A, in the Mist, 576 Yvette, To the River, 573 Black Knight, The, 249 Blind Girl of Castèl-Cuillè, The, 54 Book-Mark, Santa Teresa's, 265 Boston, 280 Burns, Robert, 617 CADENABBIA, 564 Cæsarea Philippi, Coasts of, 402 Cambridge, In the Churchyard a', 542 Carmilhan, The Ballad of, 343 Casal-Maggiore, The Monk of, 369 Castèl-Cuille, The Blind Girl of, 54 Catawba Wine, 551 Cathedral Door, The Statue over the, 259 Celestial Pilot, The, 242 Cemetery, The Jewish, at Newport, 545 Challenge, The, 561 Chamber, The Haunted, 559 Chamber, The, over the Gate, 610 Channing, To William E., 22 Charles, To the River, 19 Chaucer, 272 Chaudeau, At La, 629 Child Asleep, The, 245 Childhood, 653 Child, The Angel and the, 263 Children, 554 Children of the Lord's Supper, The, 250 Children's Crusade, The, 623 Children's Hour, The, 556 Chimes, 625 Chimney, The Wind over the, 582 Christian, King, 246 Christmas Bells, 581 Christmas Carol, A, 62 Christmas, King Olaf's, 317 Churchyard at Tarrytown, In the, 276 Cinque Ports, The Warden of the, 540 City, The Beleaguered, 6 Clock, Four by the, 626 Clock, The Old, on the Stairs, 269 Cloud, The Bridge of, 580 Cloud, To the Driving, 37 Cobbler of Hagenau, The, 340 Colonna, To Vittoria, 291 Colonna, Vittoria, 572 Commedia Divina, 584 Consolation, 263 Coplas de Manrique, 235 Cornfields, Blessing the, 146 Cornfields, In the, 387 COURTSHIP OF Miles Standish, The, 93 CRANE, THE HANGING OF THE, 598 Crusade, The Children's, 623 Crew of the Long Serpent, The, 319 Czar, The White, 578 DANISH Song-Book. To an Old, 267 Day, The, is Done, 266 Daylight and Moonlight, 544 Fragment, A, 628 French Fleet, A Ballad of the, 574 Hymn of the Moravian Nuns at Bethlehem, 9 Friar Lubin, 655 Spirit of Poetry, The, 10 Sunrise on the Hills, 10 Earl Sigvald and King Olaf, 322 Ecce Homo, 418 Eclogue, Virgil's First, 282 Edenhall, The Luck of, 15 Einar Tamberskelver, 323 Elected Knight, The, 16 Elegiac Verse, 627 Elmwood, The Herons of, 570 Emma and Eginhard, 359 Emperor's Bird's Nest, The, 543 Emperor's Glove, The, 574 Endymion, 18 Epilogue, 423 Epimetheus, or the Poet's Afterthought, 561 Epimetheus, The House of, 591, 595 EVANGELINE, 63 Evening Star, The, 44. 270 Evening Star, The Son of the, 142 Excelsior! 21 Friends, Three, of Mine, 271 Friendship, Love and, 94 Frithiof's Homestead, 651 Frithiof's Temptation, 652 Fugitive, The, 260 GADARA, The Demoniac of, 391 Gain and Loss, 630 Galaxy, The, 273 Galbraith, Victor, 547 Garden, In the, 592, 596 Garden of Gethsemane, The, 414 Garfield, 611 Gaspar Becerra, 51 Gates of Macharus, Before the, 395 Ghost, The Mother's, 377 Ghosts, The, 160 Gilbert, Sir Humphry, 45 GILES COREY OF THE SALEM FARMS, 511 Girl, the Lunatic, 634 Girl, The Quadroon, 24 Glove, The Emperor's, 574 GOLDEN LEGEND, THE, 425 Golden Milestone, The, 550 Gondolier, The Venetian, 636 Good Part, The, 23 Good Shepherd. The, 241 Grave, Dirge over a Nameless, 636 Grave, The, 245 Gudrun, 314 HAGENAU, The Cobbler of, 340 Hair, The Two Lecks of, 18 HANGING OF THE CRANE, THE, 598 Happiest Land, The, 246 HARBOR, IN THE, 621 Autumn Within, 630 Avon, To the, 626 |