After the Heavenly Tune: English Poetry and the Aspiration to SongDuquesne University Press, 2000 - 418 σελίδες After the Heavenly Tune offers an expansive answer to the basic question central to the history of poetry and poetics: what do poets mean when they write "I sing?" Berley's chapters on Shakespeare and Milton unfold the remarkable development of these two "speculative musical poetics" who are central to the history of English poetry. And in his last two chapters on romanticism and modernism, he draws an intriguing line from Wordsworth to Stevens, in which the aspiration to song becomes a dazzling means of exploring, scrutinizing, and redefining the burdens and achievements--poetic, philosophical, social, and personal--for individual poets in their times. After the Heavenly Tune offers not only groundbreaking studies of The Merchant of Venice and Milton's theory of prophecy, but also compelling new readings of classical and medieval literary theory, the burdens of romanticism, and the resolutions of modernism. This work will appeal to a broad audience: Renaissance, classical, and romantic literary scholars; philosophers; musicologists; theologians; and general readers interested in English poetry and Literary Studies. |
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Αποτελέσματα 1 - 3 από τα 71.
Σελίδα 119
... Christian soul as his merciless ability to cover up his sin by imputing it to others . If Portia can force Shylock to pur- pose merriment falsely ( " I am content " ) and derive from such force her own " merry sport , " does not her ...
... Christian soul as his merciless ability to cover up his sin by imputing it to others . If Portia can force Shylock to pur- pose merriment falsely ( " I am content " ) and derive from such force her own " merry sport , " does not her ...
Σελίδα 122
... Christian frivolity , as well as Jewish frivolity and Christian rigidity . Shakespeare gives Shylock , not Jessica , the moving argument for the humanity of the Jew , for the essential identity of the Jewish and Christian soul ( 3.1.46 ...
... Christian frivolity , as well as Jewish frivolity and Christian rigidity . Shakespeare gives Shylock , not Jessica , the moving argument for the humanity of the Jew , for the essential identity of the Jewish and Christian soul ( 3.1.46 ...
Σελίδα 142
... Christian eager to reform the English people , but also a young poet who understood his aspiration to song to be rooted in a profound Christian responsibility that he would have himself to shape . " Arcades " offers only one of many ...
... Christian eager to reform the English people , but also a young poet who understood his aspiration to song to be rooted in a profound Christian responsibility that he would have himself to shape . " Arcades " offers only one of many ...
Περιεχόμενα
ONE Platos True Musician and the Trope | 27 |
Beyond Aristotelian Praxis | 36 |
Platonic SelfRule and Neoplatonic Frenzy | 45 |
Πνευματικά δικαιώματα | |
21 άλλες ενότητες δεν εμφανίζονται
Συχνά εμφανιζόμενοι όροι και φράσεις
ability achieve Adorno ancient cycle Aristotle aspiration to song assert become Blake Blue Guitar Christian claim to song conception conceptual metaphor condition of music confront desire discord divine inspiration Donoghue early poems earthly ennobling Harmony Ficino God's hear heaven heavenly tune Hesiod Homer human Il Penseroso imagination Jessica John Keats John Milton Keats Keats's Kerrigan L'Allegro language lative Lorenzo Lorenzo's speech M. H. Abrams Maimonides means Merchant Merchant of Venice merriment merry metaphor Milton mind modern Muses nature Neoplatonic Nightingale one's Oxford Penseroso Phaedrus philosophic Plato play poet poet's poetic song Portia practical music Prelude Princeton prophecy prophetic Pythagoras reattuning relationship Renaissance rhetorical romantic says Shakespeare Shelley Shylock Sidney silence sing singer Socrates soul sounds speak speculative music Stevens Stevens's sweet theory things thou thought tion trans trope of song truth Vendler verse voice Wallace Stevens words Wordsworth writes Yeats York