After the Heavenly Tune: English Poetry and the Aspiration to SongDuquesne University Press, 2000 - 418 σελίδες After the Heavenly Tune offers an expansive answer to the basic question central to the history of poetry and poetics: what do poets mean when they write "I sing?" Berley's chapters on Shakespeare and Milton unfold the remarkable development of these two "speculative musical poetics" who are central to the history of English poetry. And in his last two chapters on romanticism and modernism, he draws an intriguing line from Wordsworth to Stevens, in which the aspiration to song becomes a dazzling means of exploring, scrutinizing, and redefining the burdens and achievements--poetic, philosophical, social, and personal--for individual poets in their times. After the Heavenly Tune offers not only groundbreaking studies of The Merchant of Venice and Milton's theory of prophecy, but also compelling new readings of classical and medieval literary theory, the burdens of romanticism, and the resolutions of modernism. This work will appeal to a broad audience: Renaissance, classical, and romantic literary scholars; philosophers; musicologists; theologians; and general readers interested in English poetry and Literary Studies. |
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Σελίδα 81
... language , however mysterious in nature , that even music does not have . In the rivalry of sibling arts ... language and cannot escape from it , " writes Theodor Adorno . " Only music that has once been language transcends its ...
... language , however mysterious in nature , that even music does not have . In the rivalry of sibling arts ... language and cannot escape from it , " writes Theodor Adorno . " Only music that has once been language transcends its ...
Σελίδα 265
... language , his language , can declare . 73 The urn cannot complete itself because it does not con- front time - because , unlike poetry , the urn does not engage experience . The last two lines of Urn- much like the last two lines of ...
... language , his language , can declare . 73 The urn cannot complete itself because it does not con- front time - because , unlike poetry , the urn does not engage experience . The last two lines of Urn- much like the last two lines of ...
Σελίδα 324
... language is no more than a dream . " Hence , there is " the extraordinary effort required to imagine , to find language for , the plain sense of things and hold the language there for the briefest moment . " 74 Vanishing points may show ...
... language is no more than a dream . " Hence , there is " the extraordinary effort required to imagine , to find language for , the plain sense of things and hold the language there for the briefest moment . " 74 Vanishing points may show ...
Περιεχόμενα
ONE Platos True Musician and the Trope | 27 |
Beyond Aristotelian Praxis | 36 |
Platonic SelfRule and Neoplatonic Frenzy | 45 |
Πνευματικά δικαιώματα | |
21 άλλες ενότητες δεν εμφανίζονται
Συχνά εμφανιζόμενοι όροι και φράσεις
ability achieve Adorno ancient cycle Aristotle aspiration to song assert become Blake Blue Guitar Christian claim to song conception conceptual metaphor condition of music confront desire discord divine inspiration Donoghue early poems earthly ennobling Harmony Ficino God's hear heaven heavenly tune Hesiod Homer human Il Penseroso imagination Jessica John Keats John Milton Keats Keats's Kerrigan L'Allegro language lative Lorenzo Lorenzo's speech M. H. Abrams Maimonides means Merchant Merchant of Venice merriment merry metaphor Milton mind modern Muses nature Neoplatonic Nightingale one's Oxford Penseroso Phaedrus philosophic Plato play poet poet's poetic song Portia practical music Prelude Princeton prophecy prophetic Pythagoras reattuning relationship Renaissance rhetorical romantic says Shakespeare Shelley Shylock Sidney silence sing singer Socrates soul sounds speak speculative music Stevens Stevens's sweet theory things thou thought tion trans trope of song truth Vendler verse voice Wallace Stevens words Wordsworth writes Yeats York