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Sir Toby Belch, who, in reference to his intoxicated surgeon, exclaims,-" Then he's a rogue. After a passy-measure, or a pavin, I hate a drunken rogue." This is the text of Mr. Tyrwhitt; but the old copy reads,-" Then he's a rogue, and a passy measure's pavyn," which is probably correct; for the pavan was rendered still more grave by the introduction of the passa mezzo air, which obliged the dancers, after making several steps round the room, to cross it in the middle in a slow step or cinque pace. This alteration of time occasioned the term passate mezzo to be prefixed to the name of several dances; thus we read of the passamezzo galliard, as well as the passamezzo pavan; and Sir Toby, by applying the latter appellation to his surgeon, meant to call him, not only a rogue, but a solemn coxcomb.

The pavan, from paro, a peacock," observes Sir J. Hawkins, "is a grave and majestick dance. The method of dancing it was anciently by gentlemen dressed with a cap and sword, by those of the long robe in their gowns, by princes in their mantles, and by ladies in gowns with long trains, the motion whereof in the dance resembled that of a peacock's tail. This dance is supposed to have been invented by the Spaniards, and its figure is given with the characters for the step, in the Orchesographia of Thoinot Arbeau.—Of the passamezzo little is to be said, except that it was a favourite air in the days of Queen Elizabeth. Ligon, in his His12 tory of Barbadoes, mentions a passamezzo galliard, which, in the year 1647, a Padre in that island played to him on the lute; the very same, he says, with an air of that kind which in Shakspeare's play of Henry the Fourth was originally played to Sir John Falstaff and Doll Tearsheet, by Sneak, the musician, there named."

Of equal gravity with the "doleful pavin," as Sir W. D'Avenant calls it, was "The Measure," to tread which was the relaxation of the most dignified characters in the state, and formed a part of the revelry of the inns of court, where the gravest lawyers were often found treading the measures. Shakspeare puns upon the name of this dance, and contrasts it with the Scotch jig, in Much Ado about Nothing, where he introduces Beatrice telling her cousin Hero,

"The fault will be in the music, cousin, if you be not woo'd in good time: if the prince be too important, tell him, there is measure in every thing, and so dance out the answer. For hear me, Hero: Wooing, wedding, and repenting, is as a Scotch jig, a measure, and a cinquepace: the first suit is hot and hasty, like a Scotch jig, and full as fantastical; the wedding, mannerly-modest, as a measure full of state and ancientry; and then comes repentance, and, with his bad legs, falls into the cinque-pace faster, till he sink into his grave." Act ii. sc. 1.

A more brisk and lively step accompanied the Canary dance, which was, likewise, very fashionable:-"I have seen a medicine," says Lafeu in All's Well that Ends Well, alluding to the influence of female charms,

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and Moth advises Armado, when dancing the brawl, to "Canary it" with his feet.

The mode of performing this dance, is thus given by Mr. Douce, from the treatise of Thoinot Arbeau:

"A lady is taken out by a gentleman, and after dancing together to the cadences of the proper air, he leaps her to the end of the hall; this done he retreats back to the original spot, always looking at the lady. Then he makes up to her again, with certain steps, and retreats as before. His partner performs the same ceremony, which is several times repeated by both parties, with various strange fantastic steps, very much in the savage style." Vol. i. p. 221.

Beside the brawl, the pavan, the measure, and the canary, several other dances were in vogue, under the general titles of corantoes, lavoltos, jigs, galliards, and fancies, but the four which we have selected for more peculiar notice, appear to have been the most celebrated.

It is a melancholy proof of the imperfect state of civilisation during the reign.


Paul, has the barbarous sport of Bear and Bull-baiting should have been savisa a aversion of the court, nobility, and gentry, as of the lowest class ndeed it would appear, from an order issued by the privy council, 1, that the populace had earlier than their superiors become tired of spectacle, and had given a marked preference to the amusements of the or it is enacted in the above order, that there should be no plays pubxibited on Thursdays; because on Thursdays, bear-baiting and such sumes had been usually practised; and four days afterwards an injunction ne same effect was sent to the Lord Mayor, in which, after justly reprobating ne performance of plays on the Sabbath, it is added, that on "all other days of he week in divers place the players do use to recite their plays to the great hurt and destruction of the game of bear-baiting, and like pastimes, which are maintained for her Majesty's pleasure." *

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History informs us that Elizabeth's pleasure was thus gratified at an early period of her life, and continued to be so to the close of her reign. When confined at Hatfield house, she, and her sister, Queen Mary, were recreated with a grand exhibition of bear-baiting, "with which their highnesses were right well content." Soon after she had ascended the throne, she entertained the French ambassadors with bear and bull-baiting, and stood a spectatress of the amusement until six in the evening; a similar exhibition took place the next day at Paris-Garden, for the same party; and even twenty-seven years poste rior, Her Majesty could not devise a more welcome gratification for the Danish ambassador, than the display of such a spectacle at Greenwich.

So decided a partiality for this savage pastime would, of course, induce her courtiers to take care that their mistress should not be disappointed in this respect, and more especially when she honoured them with one of her periodical visits. Accordingly Laneham tells us, that when she was at Kenilworth Castle, in 1575, not less than thirteen bears were provided for her diversion, and that these were baited with a large species of ban-dogs.

An example thus set by royalty itself, soon spread through every rank, and bear and bull-baiting became one of the most general amusements in England. Shakspeare has alluded to it in more than twenty places, and it has equally at tracted the notice of the foreign and domestic historian. Hentzner, whose Itine rary was printed in Latin, A. D. 1598, was a spectator at one of these exhibitions, which he describes in the following manner: speaking of the theatre, he says,

"There is still another place, built in the form of a theatre, which serves for the baiting of bulls and bears; they are fastened behind, and then worried by great English bull-dogs, but not with out great risque to the dogs, from the horns of the one, and the teeth of the other; and it some times happens they are killed on the spot; fresh ones are immediately supplied in the places of those that are wounded or tired." P. 29, 30. He then adds an account of a still more inhuman pastime:"To this entertainment, there often follows that of whipping a blinded bear, which is performed by five or six men, standing circularly with whips, which they exercise upon him without any mercy, as he cannot escape from them because of his chain; he defends himself with all bis force and skill, throwing down all who come within his reach, and are not active enough to get out of it, and tearing the whips out of their hands, and breaking them." Stowe, in the edition of his Survey printed in 1618, remarks, that "as for the bayting of Bulles and Beares, they are till this day much frequented, namely, in Beare-gardens on the Bankside, wherein be prepared Scaffolds for beholders to stand upon." P. 147.


The admission to these gardens was upon easy terms, for we are told that the spectators paid one pennie at the gate, another at the entrie of the scaffold, and a third for quiet standing." It was usual also for the bearward to parade the streets with his animal, who had frequently a monkey on his back and was preceded by a minstrel. The bear was generally complimented with the name of his keeper: thus, in Shakspeare's time, there was a celebrated one at Paris * Chalmers's Apology, p. 380.

Perambulation of Kent, 1570, p 248.

+ Warton's Life of Sir T. Pope, p. 85.


Garden called Sackerson. "I have seen Sackerson loose," says Slender, "twenty times; and have taken him by the chain: but, I warrant you, the women have so cried and shriek'd at it, that it pass'd :—but women, indeed, cannot abide 'em ; they are very ill-favoured rough things;" in the "Puritan" published in 1607, occurs one named George Stone; and in the "Humorous Lovers, " by the Duke of Newcastle printed in 1617, Tom of Lincoln is the appellation of another.

A diversion infinitely more elegant and pleasing in all its accompaniments, once of great utilily, and unattended with the smallest vestige of barbarism or inhumanity, we have now to record as resulting from the use of the long bow, which, though greatly on the decline, in the days of Elizabeth, as a weapon of warfare, still lingered amongst us as a species of amusement. Various attempts, indeed, had been made by the nearly immediate predecessors of Elizabeth, to revive the use of the long bow as a military weapon; but with very partial success:—

"The most famous, prudent, politike and grave prince K. Henry the 7," says Robinson, "was the first Phenix in chusing out a number of chiefe Archers to give daily attendance upon his person, whom he named his Garde. But the high and mighty renowned prince his son, K. H. 8, (ann. 1509) not onely with great prowes and praise proceeded in that which his father had begon; but also added greater dignity unto the same, like a most roial renowned David, enacting a good and godly statute (ann. 33. H. 8. cap. 9) for the use and exercise of shooting in every degree. And further more for the maintenance of the same laudable exercise in this honourable city of London by his gratious charter confirmed unto the worshipful citizens of the same, this your now famous order of Knightes of Prince Arthure's Round Table or Society like as in his life time when he saw a good Archer indeede, he chose him and ordained such a one for a knight of the same order." +

To this "Auncient Order, Societie, and Unitie Laudable, of Prince Arthure," as it was termed, and to which Shakspeare alludes, under the character of Justice Shallow, in the Second Part of King Henry the Fourth, Archery owed, for some time, considerable support; but ultimately it contributed to hasten its decline. Under the auspices of Prince Arthur, eldest son of King Henry VII., and who was so expert a bowman, that every skilful shooter was complimented with his name, the society flourished abundantly; its captain being honoured with his title, and the other members being termed his knights. His brother Henry was equally attached to the art, but unfortunately, having appointed a splendid match at shooting with the long bow, at Windsor, an inhabitant of Shoreditch, London, joining the archers, exhibited such extraordinary skill, that the King, delighted with his performance, humorously gave him the title of Duke of Shoreditch, an appellation which not only superseded the former title, but, being copied by the inferior members, in assuming the rank of Marquis, Earl, etc., threw such a degree of burlesque and ridicule over the business, as finally brought contempt upon the art itself.

The Society, however, still subsisted with much magnificence during the reign of Elizabeth; and in the very year that Robinson pnblished his book in support of Archery, namely, in 1583,

"A grand shooting match was held in London, and the captain of the archers assuming his title of Duke of Shoreditch, summoned a suit of nominal nobility under the titles of Marquis of Barlo, of Clerkenwell, of Islington, of Hoxton, of Shacklewell, and Earl of Pancrass, etc., aud these meeting together at the appointed time, with their different companies, proceeded in a pompous march from Merchant Taylor's Hall, consisting of three thousand archers, sumptuously apparelled; nine hundred and forty-two of them having chains of gold about their necks. This splendid company was guarded by four thousand whifflers and billmen, besides pages and footmen. They passed through Broad-street, the residence of their captain, and thence into Moorfields, by Finsbury, and

* M. W. of Windsor, act i. sc. 1.

The Auncient Order, Societie, and Vnitie Laudable, of Prince Arthure, and his knightly Armoury of the Round Table. With a Threefold Assertion frendly in favour and furtherance of English Archery at this day. Translated and Collected by R. R." (Richard Robinson) 4to. 1583.—Vide British Bibliographer, voi. i. p. 125, 127.

so on to Smithfield, where having performed several evolutions, they shot at a target for honour."

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Notwithstanding this brilliant celebration, it appears that, thirteen years afterwards, the disuse of archery was so general, that the "Companies of Bowyers and Fletchers" made heavy complaints, and procured a work to be written, in order to place before "the nobility and gentlemen of England," their distress, and deprivation of subsistence, from the neglect of the bow. The work is entitled, "A briefe Treatise, To proove the necessitie and excellence of the Vse of Archerie. Abstracted out of ancient and modern writers, by R. S. Perused and allowed by Aucthoritie." 4to, 1596. This was one of the last attempts to revive the bow as a weapon of defence, and it records a contemporary and successful effort to repel cavalry by its adoption on the part of a rebel force.

"About Bartholomew tyde last, 1595." relates the author, "there came out of Scotland one James Forgeson, bowyer to the King of Scots, who credibly reported, that about two years past, certaine rebelles did rise there against the King, who sent against them five hundred horsemen wel appointed. They meeting three hundred of the rebel's bowmen, encountered each with other, when the bow men slue two hundred and fourscore of their horses, and killed, wounded, and sore hurt most part of the Kinge's men. Whereupon the said Forgeson was sent hether from the King with commission to buy up ten thousande bowes and bowstaves: but because he could not speed heer, he went over into the East countries for them." †

The Toxophilus of Ascham, first published in 1544, was written in order "that stil, according to the olde wont of Englande, youth should use it for the most honest pastime in peace, that men might handle it as a most sure weapon in warre." P. 55. The latter of these purposes so completely failed, that the use of the bow as an offensive or defensive weapon of warfare totally ceased in the time of James the First: but the former was partially gained, as the treatise of Ascham certainly contributed to prolong the reign of archery as a mere recreation, though it could not retrieve its character as an instrument for the destruction of game, So early, indeed, as 1531, we learn from Sir Thomas Elyot's Boke named the Governour," that crossbows and guns had then superseded the long-bow, in the sports of the field;


Verylye I suppose," says he, "that before crosbowes and handegunnes were brought into this realme, by the sleyghte of our enemies, to the entent to distroye the noble defence of archerye, continuall use of shootynge in the longe bowe made the feate soo perfecte and exacte among englyshemen, that thei than as surely and soone kylled suche game whiche thei lysted to have, as thei nowe can do with the crossebowe or gunne." ‡

The cross-bow was the fashionable instrument for killing game, even with the ladies, in the days of Elizabeth; the Queen was peculiarly fond of the sport, and her example was eagerly followed by the female part of her court. Shakspeare represents the Princess and her ladies, in Love's Labour's Lost, thus employed (act. iv. sc. 1), and Mr. Lodge informs us, through the medium of a letter, written by Sir Francis Leake in 1605, that the Countess of Shrewsbury, and the ladies of the Cavendish family, were ardently attached to this diversion. That the pastime of shooting with the long bow was often commuted, in the capital, for amusements of a much less innocent nature, we learn from Stowe, who attributes the decline of archery, as a diversion, to the enclosure of common grounds in the vicinity of the metropolis:

"What should I speake," says he, "of the ancient dayly exercises in the long how by citizens of this citie, now almoste cleane left off and forsaken: I over passe it for by the meanes of closing

* Strutt's Sports and Pastimes, p 62, from Strype's London, vol. i. p. 250.-In 1682, appeared remembrance of the worthy show and shooting by the Duke of Shoreditch and his associates the worshipfel citizens of London, upon Tuesday the 17th of September, 1583, set forth according to the truth thereof, to the everlasling honour of the game of shooting in the long how. B. W. M."

British Bibliographer, vol i. p. 448.
Illustrations of British History, vol. iii. p. 295.

Edit. 1553. p. 83.

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in of common grounds, our Archers for want of roome to shoote abroad, creep into bowling allies and ordinarie dicing-houses neerer home, where they have roome enough to hazard their money at unlawfull games."

Among the amusements more peculiarly belonging to the metropolis, and which better than any other exhibits the fashionable mode, at that time, of disposing of the day, we may enumerate the custom of publicly parading in the middle aisle of St. Paul's Cathedral. During the reign of Elizabeth and James, Paul's Walk, as it was called, was daily frequented by the nobility, gentry, and professional men; here, from ten to twelve in the forenoon, and from three to six in the afternoon, they met to converse on business, politics, or pleasure; and hither too, in order to acquire fashions, form assignations for the gaming table, or shun the grasp of the bailiff, came the gallant, the gamester, and the debtor, the stale knight, and the captain out of service; and here it was that Falstaff purchased Bardolph; "I bought him," says the jolly knight, "at Paul's."+


Of the various purposes for which this temple was frequented by the loungers of the sixteenth and seventeenth centuries, Decker has left us a most entertaining account, and from his tract on this subject, published in 1609, we shall extract a few passages which throw no incurious light on the follies and dissipa*tion of the age.

The supposed tomb of Humphrey, Duke of Gloucester, but in reality that of Guy Beauchamp, Earl of Warwick, appears to have been a privileged part of the Cathedral:

"The Duke's tomb," observes Decker, addressing the gallant, "is a sanctuary; and will keep you alive from worms, and land rats, that long to be feeding on your carcass : there you may spend your legs in winter a whole afternoon; converse, plot, laugh, and talk any thing; jest at your creditor, even to his face; and in the evening, even by lamp-light, steal out; and so cozen a whole covey of abominable catch-polls."

Such was the resort of the male fashionable world to this venerable Gothic ple, that it was customary for trades-people to frequent its aisles for the purpose of collecting the dresses of the day.

"If you determine to enter into a new suit, warn your tailor to attend you in Pauls, who, with his hat in his hand, shall like a spy discover the stuff, colour, and fashion of any doublet or hose that dare be seen there, and, stepping behind a pillar to fill his table books with those notes, will presently send you into the world an accomplished man; by which means you shall wear your clothes in print with the first edition." §

The author even condescends to instruct his beau, when he has obtained his suit, how best to exhibit it in St. Paul's, and concludes by pointing out other recourses for killing time, on withdrawing from the cathedral.

"Bend your course directly in the middle line, that the whole body of the church may appear to be yours; where, in view of all, you may publish your suit in what manner you affect most, either with the slide of your cloak from the one shoulder: and then you must, as 'twere in anger, suddenly snatch at the middle of the inside, if it be taffeta at the least; and so by that means your costly lining is betrayed, or else by the pretty advantage of compliment. But one note by the way do I especially woo you to, the neglect of which makes many of our gallants cheap and ordinary; that by no means you be seen above four turns; but in the fifth make yourself away, either in some of the semsters' shops, the new tobacco-office, or amongst the booksellers, where, if you cannot read, exercise your smoke, and inquire who has writ against this divine weed, &c."

After dinner it was necessary that the finished coxcomb should return to Paul's in a new dress :

"After dinner you may appear again, having translated yourself out of your English cloth into a light Turkey grogram, if you have that happiness of shifting; and then be seen, for a turn or

Survey of London, 1618. p. 162

The Gull's Horn-book, 4to. 1609. p 99. ** Ibid. p. 95, 96.

↑ Henry IV. Part ii. act i. sc. 2.

§ The Gull's Horn-book, p. 101, 102

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