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his arm was his buckler, his fist was his mace, and a broken head the catastrophe of his encounters. The battle of unassisted strength was succeeded by the more rugged one of stones and clubs, and war assumed a sanguinary aspect. As man advanced in refinement, as his faculties expanded, and his sensibilities became more exquisite, he grew rapidly more ingenious and experienced in the art of murdering his fellow beings. He invented a thousand devices to defend and to assault—the helmet, the cuirass, and the buckler, the sword, the dart, and the javelin, prepared him to elude the wound, as well as to launch the blow. Still urging on, in the brilliant and philanthropic career of invention, he enlarges and heightens his powers of defence and injury.—The aries, the scorpio, the balista, and the catapulta, give a horror and sublimity to war; and magnify its glory, by increasing its desolation. Still insatiable, though armed with machinery that seemed to reach the limits of destructive invention, and to yield a power of injury, commensurate even with the desires of revenge still deeper researches must be made in the diabolical arcana. With furious zeal he dives into the bowels of the earth; he toils midsü poisonous minerals and deadly saltsthesublime discovery of gunpowder blazes upon the world—and, finally, the dreadful art of fighting by proclamation seems to endow the demon of war with ubiquity and omnipotence.

This, indeed, is grand !—this, indeed, marks the powers of mind, and bespeaks that divine endowment of reason, which distinguishes us from the animals, our inferiors, The unenlightened brutes content themselves with the native force which providence has assigned them. The angry bull butts with his horns, as did his progenitors before him—the lion, the leopard, and the tiger, seek only with their talons and their fangs to gratify their sanguinary fury; and even the subtle serpent darts the same venom, and uses the same wiles, as did his sire before the flood. Man alone, blessed with the inventive mind, goes on from discovery to discovery-enlarges and multiplies his powers of destruction; arrogates the tremendous weapons of Deity itself, and tasks creation to assist him in murdering his brother worm!

ENGLISH STAGE COACHMEN.

And here, perhaps, it may not be unacceptable to my untravelled readers, to have a sketch that may serve as a general representation of this very numerous and important class of functionaries, who have a dress, a manner, a language, an air, peculiar to themselves, and prevalent throughout the fraternity: so that, wherever an English stage coachman may be seen, he cannot be mistaken for one of any other craft or mystery.

He has commonly a broad, full face, curiously mottled with red, as if the blood had been forced by hard feeding into every vessel of the skin; he is swelled into jolly dimensions by frequent potations of malt liquors, and his bulk is still further increased by a multiplicity of coats, in which he is buried like a cauliflower, the upper one reaching to his heels, He wears a broad-brimmed low. crowned bat; a huge roll of coloured handkerchief about his neck, knowingly knotted and tucked in at the bosom; and has in summer time a large bouquet of flowers in his button-bole; the present, most probably, of some enamoured country lass. His waistcoat is commonly of some bright colour, stripped, and his small-clothes extend far below the knees, to meet a pair of jockey boots which reach about half way up his legs.

All this costume is maintained with much precision; he has a pride in having his clothes of excellent materials; and, notwithstanding the seeming grossness of his appearanee, there is still discernible that neatness and propriety of person, which is almost inherent in an English

He enjoys great consequence and consideration along the road; bas frequent conferences with the village housewives, who look upon him as a man of great trust and dependence; and he seems to have a good understanding with every bright-eyed country-lass. . The moment he arrives where the horses are to be changed, he throws down the reins with something of an air, and abandons the cattle to the care of the hostler; his duty

man.

being merely to drive from one stage to another. When off the box, his hands are thrust into the pockets of his great coat, and he rolls about the inn yard with an air of the most absolute lordliness. Here he is generally surrounded by an admiring throng of hostlers, stableboys, shoeblacks, and those nameless hangers-on, that infest inns and taverns, and run errands, and do all kind of odd jobs, for the privilege of battening on the drippings of the kitchen and the leakage of the tap-room. These all look up to him as to an oracle; treasure up his cant phrases; echo his opinions about horses and other topics of jockey lore; and above all, endeavour to imitate bis air and carriage. Every ragamuffin that has a coat to his back, thrusts his hands in the pockets, rolls in his gait, talks slang, and is an embryo Coachey.

THE WALTZ.

As many of the retired matrons of this city, unskilled in“ gestic lore," are doubtless ignorant of the movements and figures of this modest exhibition, I will endeavour to give some account of it in order that they may learn what odd capers their daughters sometimes cut when from under their guardian wings.-On a signal being given by the music, the gentleman seizes the lady round her waist; the lady, scorning to be out-done in courtesy, very politely takes the gentleman round the neck, with one arm resting against his shoulder to prevent enchroachments. Away then they go, about, and about, and about "About what, sir?"-About the room, madam, to be sure. The whole economy of this dance consists in turning round and round the room in a certain measured step, and it is truly astonishing that this continued revolution does not set all their heads swimming like a top; but I have been positively assured that it only occasions a gentle sensation which is marvellously agreeable. In the course of this circumnavigation, the dancers, in order to give the charm of variety are continually changing their

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relative situations, -now the gentleman, meaning nó harn. in the world, I assure you, madam, carelessly flings his arm about the lady's neck, with an air of celestial impudence; and anon, the lady, meaning as little harm as the gentleman, takes him round the waist with most ingenious modest languishment, to the great delight of numerous spectators and amateurs, who generally form a ring, as the mob do about a pair of amazons pulling caps or a couple of fighting mastiffs. - After continuing this divine interchange of hands, arms, et cetera, for half an hour or so, the lady begins to tire, and“ with eyes upraised,” in most bewitching langour petitions her partner for a little more support. This is always given without hesitation. The lady leans gently on his shoulder; their arms entwine in a thousand seducing mishievous curves--don't be alarmed, madam-closer and closer they approach each other, and in conclusion, the parties being overcome with ecstatic fatigue, the lady seems almost sinking into the gentleman's arms, and then -“ Well, sir! what then?" -Lord! madam, how should I know?

DUTCH TEA PARTIES.

These fashionable parties were generally consigned to the higher classes, or noblesse, that is to say, such as kept their own cows, and drove their own waggons. The company commonly assembled at three o'clock, and went away about six, unless it was in winter time, when the fashionable hours were a little earlier, that the ladies might get home before dark. I do not find that they ever treated their company to iced creams, jellies, or syllabubs; or regaled them with musty almonds, mouldy raisins, or sour oranges, as is often done in the present age of refinement. Our ancestors were fond of more stardy, substantial fare. The tea table was crowned 'with a huge earthen dish, well stored with slices of fat pork, fried brown, cut up into morsels, and swimming in gravy.

The company being seated around the genial

board, and each furnished with a fork, evinced their dexterity in launching at the fattest pieces in this mighty dish, in much the same manner as sailors harpoon porpoises at sea, or our Indians spear salmon in the lakes. Sometimes the table was graced with immense apple pies, or saucers full of preserved peaches and pears; but it was always sure to boast an enormous dish of balls of sweetened dough, fried in hogg's fat, and called dough nuts, or oly koeks: a delicious kind of cake, at present scarce known in this city, excepting in genuine Dutch families.

The tea was served out of a majestic delft tea-pot, ornamented with paintings of fat little Dutch shepherds and shepherdesses, tending pigs with boats sailing in the air, and houses built in the clouds, and sundry other ingenious Dutch fantasies. The beaux distinguished themselves by their adroitness in replenishing this pot, from a huge copper tea-kettle, which would have made the pigmy macaronies of these degenerate days sweat, merely to look at it. To sweeten the beverage, a lump of sugar was laid beside each cup-and the company, I alternately nibbled and sipped with great decoruin, until an improvement was introduced by a shrewd and econemic old lady, which was, to suspend a large lump directly over the tea table, by a string from the ceiling, so that it could be swung from mouth to mouth,man ingenious expedient, which is still kept up by some families in Albany; but which prevails without exception in Communipaw, Bergen, Flat-Bush, and all our uncontaminated Dutch villages.

At these primitive tea parties the utmost propriety and dignity of deportment prevailed. No Airting nor coquetting-no gambling of old ladies, nor hoyden chattering and romping of young ones-10 self-satisfied struttings of wealthy gentlemen, with their brains in their pockets; nor amusing conceits, and monkey divertisements of smart young gentlemen with nu brains at all. On the contrary, the young ladies seated themselves demurely in their rush-bottomed chairs, and knit their own woollen stockings; nor ever opened their lips, excepting to say

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