1 - 1 Wind horns. Enter a Lord from bunting, with a Train. Lord. Huntsman, I charge thee, tender well my hounds, Brach, Merriman, the poor cur is imbost'; Hun. Why, Belman is as good as he, my Lord; Lord. Thou art a fool; if Eccho were as fleet, Lord. What's here? one dead, or drunk? see, doth he breathe? 2 Hun. He breathes, my Lord. Were he not This were a bed but cold, to sleep so soundly. Lord. O monstrous beast! how like a swine he lies! 5 Brach, Merriman, Sir T. Hanmer reads, Leech Merriman, that is, apply fome remedies to Merriman, the poor cur has his joints fwelled. Perhaps we might read, bathe Merriman, which is I believe the common practice of B 3. -tender well my hounds, And And brave attendants near him, when he wakes; 1 Hun, Believe me, Lord, I think he cannot chuse, 2 Hun. It would feem strange unto him, when he wak'd. Lord. Even as a flatt'ring dream, or worthless fancy. Then take him up, and manage well the jeft : Carry him gently to my fairest chamber, And hang it round with all my wanton pictures; Balm his foul head with warm distilled waters, And burn sweet wood to make the lodging sweet. Procure me music ready, when he wakes, To make a dulcet and a heav'nly found; And if he chance to speak, be ready straight, And with a low submissive reverence Say, what is it your Honour will command? If it be husbanded with modefty. 1 Hun. My Lord, I warrant you, we'll play our part, As he shall think, by our true diligence, Lord. Take him up gently, and to bed with him; 6-modesty.] By modesty is meant moderation, without fuffering our merriment to break into any excess. And 1 And each one to his Office, when he wakes. [Some bear out Sly. Sound Trumpets. Sirrah, go fee what trumpet is that sounds. SCENE III. Re-enter a Servant. How now? who is it? Ser. An't please your Honour, Players That offer Service to your lordship. Enter Players. Now, Fellows, you are welcome. Play. We thank your Honour. Sim. I think, 'twas Soto that your Honour means 7. Well, you are come to me in happy time, * It was in those times the 7 I think, 'twas Soto] I take our Author here to be paying a Compliment to Beaumont and Fletcher's Women pleas'd, in which Comedy there is the Character of Soto, who is a Farmer's Son, B4 and a very facetious Servingman. Mr. Rowe and Mr. Poрв prefix the Name of Sim to the Line here spoken; but the first folio has it Sincklo; which, no doubt, was the Name of one of the Players here introduc'd, and、 who had play'd the Part of Soto with Applause. THEOBALD. 1 There is a Lord will hear you play to-night; Play. Fear not, my lord, we can contain ourselves; Were he the veriest antick in the world. 2 Play. [to the other.] Go get a Dishclout to make clean your shoes; and I'll speak for the properties 8. [Exit Player. My lord, we must have a shoulder of mutton for a property, and a little Vinegar to make our devil roar. Lord. Go, firrah, take them to the buttery, And give them friendly welcome, every one : Let them want nothing that the house affords. [Exit one with the Players. Sirrah, go you to Bartholomew my page, That done, conduct him to the drunkard's chamber, : * Property, in the language of a play-house, is every implement neceffary to the exhibition. A little Vinegar to make our devil roar.] When the acting the mysteries of the old and new teftament was in vogue; at the representation of the mystery of the Passion, Judas and the Devil made a part. And the Devil, wherever he came, was always to fuffer fome disgrace, to make the people laugh: As here, the buffoonery was to apply the gall and vinegar to make him roar. And the Passion being that, of all the mysteries, which was most frequently represented, vinegar became at length the standing implement to torment the Devil: And used for this purpose even after the mysteries ceafed, and the moralities came in vogue; where the Devil continued to have a confiderable part. The mention of it here was to ridicule so abfurd a circumstance in these old farces. WARBURTON. Such Such as he hath observ'd in noble ladies Which otherwise will go into extreams. [Exit Lord. Poet design'd, the Tinker's suppos'd Lunacy should be of fourteen Years standing at least, is evident upon two parallel Paffages in the Play to that Purpose. THEOBALD. * In former editions, Who for these Seven Years hath esteem'd himself No better than a poor and loathSome Beggar.] I have ventur'd to alter a Word here, against the Authority of the printed Copies; and hope, I shall be justified in it by two subsequent Passages. That the * It is not unlikely that the onion was an expedient used by the actors of interludes. SCENE |