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St. Paul and St. Peter (Filippino Lippi). Carmine, Flor

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Crucifixion of St. Peter (Filippino Lippi). Carmine, Flor

ence.

196

203

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facing 210

222

St. Peter at the Gate of Paradise (attributed to Simone
Memmi). Spanish Chapel, S. Maria Novella, Florence. 204
Conversion of St. Paul (Rubens)
St. Andrew (Vischer). Nuremberg
St. James Major (Raphael). From Marc Antonio's engrav-
ing after Raphael's design in Hall of Pope's Pages, Vati-

can

St. James (Andrea del Sarto). Uffizi, Florence
St. Philip (Albert Dürer).

231

232

235

St. Philip (Nanni di Banco). Or San Michele, Florence

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The Last Supper (after Da Vinci)

The Vision of the Four Fathers (Dosso Dossi). Dresden
Gallery.

248

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St. Jerome (Ghirlandajo). Ogni Santi, Florence
St. Jerome (Raphael). From Crucifixion, Dudley House,
London 1

285

288

The Penance of St. Jerome (Albert Dürer).

289

St. Jerome and the Lion (Coll' Antonio del Fiore). Naples

292

Last Communion of St. Jerome (Domenichino). Vatican
Gallery.

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St. Ambrose and Emperor Theodosius (Rubens). Belvedere, Vienna.

facing 302

St. Augustine (attributed to Filippo Lippi). Uffizi, Flor

ence.

305

Vision of St. Augustine (Garofalo). National Gallery, Lon

308

don

St. Augustine and St. Monica (Ary Scheffer). National
Gallery London

310

Miracle of St. Gregory (A. Sacchi). Vatican Gallery facing 318

1 [Under the reproduction of this picture in the Portfolio for January, 1895 (Julia Cartwright's monograph on Raphael), is the statement that the original is in the possession of Mr. Mond. Müntz and others refer it to the Dudley House collection.]

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Magdalene (Lucas van Leyden)

Madonna with Magdalene and St. Jerome (Correggio).

Parma Gallery

Magdalene (Guido Reni). Louvre, Paris

330

349

351

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Noli Me Tangere (Titian). National Gallery, London facing 364

AUTHORITIES REFERRED TO BY THE AUTHOR

Bosio. Roma Subterranea. Rome, 1651.

Ciampini, Giovanni Giustino. Opera ed auct. Roma, 1747. Bottari, Giovanni Gaetano. Sculture e pitture sagre estratte dai cimiterii di Roma. Roma, 1737-54.

Minter, Friedrich Christian Carl Heinrich. Sinnbilder und Kunstvorstellungen der alten Christen. Altona, 1825.

Didron. Manuel d'Iconographie Chrétienne. Paris, 1845.
Durandus, William. Rationale Divinorum Officiorum.1

Koburgher (Koberger). Legendensammlung. Nuremberg, 1488.
Marco Lastri. L'Etruria Pittrice. Florence, 1791-95.
Cicognara. Scultura Moderna. Prato, 1823.

Lanzi. Storia Pittorica della Italia.2

Rosini. Storia della Pittura Italiana. Pisa, 1839.

Vasari. Vite dei Pittori, Scultori e Architetti. Florence, 1846–57. Lord Lindsay. Sketches of Christian Art. London, 1847.

Franz Kugler. A Handbook of the History of Painting. German, French, and Dutch Schools. Edited by Sir Edmund Head. London, 1846.

Bartsch. Le Peintre Graveur. Vienna, 1813.

Heller. Leben und Werke von Albrecht Dürer. Leipzig, 1831. Passavant. Rafael von Urbino. Leipzig, 1839.

Stirling. Annals of the Artists of Spain. London, 1848.

Sir Edmund Walker Head. Handbook of the History of the Spanish and French Schools of Painting. London, 1848.

Waagen. Kunstwerke und Künstler in England und Paris. Berlin, 1837-39.

Paul Landon. Annales du Musée et de l'Ecole des Beaux Arts. (22 vols.) Paris, 1815.

1 The first book of this work has been recently translated into English by J. M. Neale and Benj. Webb of Trinity College, Cambridge. The Symbolism of Churches and Church Ornament. London, 1893. The translators enumerate in the preface the following editions of the original Latin work: Rome, 1473; Lyons, 1503, 1512, 1534, 1584; Antwerp, 1570; Venice, 1599, 1609.

2 [It is impossible to tell from the context what edition of this work was used by the author.]

Thomas Frognall Dibdin. The Bibliographical Decameron; or, ten days pleasant discourse upon illuminated manuscripts, etc. (3 vols.) London, 1817.

Le Opere del pittore plasticatore Gaudenzio Ferrari, disegnate ed
incise da S. Pinazzi, descritte da G. Bordiga. Milan, 1835.
John Carter. Specimens of Ancient Sculpture and Painting in
England. London, 1838.1

Bayle. Dictionnaire Historique et Critique. Rotterdam, 1720.
Zani, Pietro. Enciclopedia metodica critico-ragionata delle Belle
Arti. Parma, 1817-23.

Nathaniel Lardner. Works. London, 1788.

L'Abbé Méry. Théologie des Peintres. Paris, 1765.
Milman. History of Christianity. London, 1840.

John C. L. Giesler. Text-book of Ecclesiastical History. New
York, 1849.2

Edward Gibbon. The History of the Decline and Fall of the Roman Empire.

Goethe. Theory of Colors. Translated by C. L. Eastlake. London, 1840.

Robert Curzon, Jr. Visits to Monasteries in the Levant. London, 1849.

J. W. Percy. Romanism as it exists at Rome. Exhibited in inscriptions, etc. London, 1847.

AUTHORITIES CONSULTED BY THE EDITOR

J. Spencer Northcote and W. E. Brownlow. Roma Sotterranea. London, 1869.

André Peraté. Archaeologie Chrétienne. Paris, 1892.

P. Raffaelo Garrucci. Storia della Arte Cristiana. Prato, 1879. Didron. Christian Iconography: vol. i., translated by E. J. Millington. London, 1851. vol. ii., translated by Margaret

Stokes. London, 1886.

Louisa Twining. The Symbols of Early Christian and Mediæval Art. London, 1885.

Lord Lindsay. Sketches of Christian Art. London, 1885.

1 This work was republished in 1887.

2 This is probably not the edition used by Mrs. Jameson, but is the only one accessible to the editor.

3 It is impossible to tell from the context what edition the author used of a book republished so many times.

xxiv

AUTHORITIES CONSULTED BY THE EDITOR

Woltmann and Woermann. History of Painting. Translated by Clara Bell. London, 1887.

Eugène Müntz. Histoire de l'Art pendant la Renaissance. Paris, 1889-91.

Robert Dohme and others.

Kunst und Künstler des Mittelalters

und der Neuzeit. Leipzig, 1877-1886.

Sir Henry Layard's Revision of Kugler's Handbook of the Italian Schools. London, 1887.

Morelli. Critical Studies of Italian Painters. Translated by Constance Jocelyn Ffoulkes. London, 1892.

Gustavo Frizzoni. Arte Italiana del Rinascimento.

Milan, 1891.

Crowe and Cavalcaselle. History of Painting in Italy. London, 1864.

Crowe and Cavalcaselle. History of Painting in North Italy. London, 1871.

Bernhard Berenson.

The Venetian Painters of the Renaissance.

New York and London, 1894.

Crowe's Revision of Kugler's Handbook of the German, Flemish, and Dutch Schools. London, 1889.

Ernst Förster. Denkmale der Deutschen Kunst. Leipzig, 18551869.

H. Janitschek. Geschichte der Deutschen Kunst. Berlin, 1890. Stirling-Maxwell. Annals of the Artists of Spain. London,

1891.

Clara Cornelia Stranahan. History of French Painting. New York, 1888.

D. C. Thompson. Barbizon School. London, 1891.

Crowe and Cavalcaselle. Raphael: His Life and Works. London, 1882-1885.

Eugène Müntz.

London, 1882.

Raphael. Translated by Walter Armstrong.

Passavant. Raphael. Translated in an abridged English edition. London and New York, 1872.

Crowe and Cavalcaselle. Titian: His Life and Times. London, 1877.

Georges La Fenestre. La Vie et l'Euvre de Titien. Paris.

Frank Preston Stearns. Life and Genius of Jacopo Robusti. New York, 1894.

J. A. Symonds. Life of Michel Angelo Buonarotti. London.

1893.

Cavalucci et Molinier. Les Della Robbia: leur vie et leur œuvre. Paris, 1884.

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