Choral Masterworks:A Listener's GuideMichael Steinberg's highly successful listener's guides--The Symphony and The Concerto--have been universally praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now Steinberg follows these two greatly admired volumes with Choral Masterworks: A Listener's Guide, the only such guide available to this most popular of musical forms. Here are more than fifty illuminating essays on the classic choral masterworks, ranging from Handel's Messiah, Bach's Mass in B Minor, and Beethoven's Missa Solemnis, to works by Haydn, Brahms, Mendelssohn, and many others. Steinberg spans the entire history of classical music, from such giants of the Romantic era as Verdi and Berlioz, to leading modern composers such as Elgar, Rachmaninoff, Vaughan Williams, and Stravinsky, to contemporary masters such as John Adams and Charles Wuorinen. For each piece, Steinberg includes a fascinating biographical account of the work's genesis, often spiced with wonderful asides, such as the true story of Mozart's Requiem--Salieri had nothing to do with the composition of it, nor did he poison Mozart, who most likely died of rheumatic fever. The author also includes an astute musical analysis of each piece, one that casual music lovers can easily appreciate and that musicians and more serious fans will find invaluable. The book also includes basic information such as the various movements of the work, the organization of the chorus and orchestra, and brief historical notes on early performances. More than twenty million Americans perform regularly in choirs or choruses. Choral Masterworks will appeal not only to concert goers and CD collectors, but also to this vast multitude of choral performers, an especially engaged and active community. |
Τι λένε οι χρήστες - Σύνταξη κριτικής
Choral masterworks: a listener's guide
Κριτική χρηστών - Not Available - Book VerdictIn this third entry of his "Listener's Guides" series (after The Symphony and The Concerto ), Steinberg turns to a musical form that may seem less familiar in comparison but that 20 million Americans ... Ανάγνωση ολόκληρης της κριτικής
Περιεχόμενα
3 | |
ADAMS | 9 |
BACH | 16 |
BEETHOVEN | 45 |
BERLIOZ | 61 |
BRAHMS | 68 |
BRITTEN | 86 |
CHERUBINI | 97 |
JANÁCEK | 186 |
KODÁLY | 194 |
MENDELSSOHN | 200 |
MOZART | 210 |
ORFF | 230 |
RACHMANINOFF | 238 |
SCHMIDT | 243 |
SESSIONS | 252 |
DALLAPICCOLA | 104 |
DVORÁK | 113 |
ELGAR | 119 |
FAURÉ | 131 |
HANDEL | 138 |
HAYDN | 155 |
HONEGGER | 177 |
STRAVINSKY | 257 |
TIPPETT | 280 |
VAUGHAN WILLIAMS | 288 |
VERDI | 301 |
WALTON | 311 |
WUORINEN | 317 |
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
aria Bach Bach’s bass bassoons beautiful become Beethoven began begins Brahms brings called cellos choral chord chorus church clarinets close comes completed composer composition concert conducted conductor death died doubling Dream of Gerontius drum effect English final flutes followed four fugue German given gives Handel harmony Haydn hear heard horns idea Italy Jesus John King Kyrie later lines Lord major March Mass measures Messiah minor move movement Mozart never notes oboes once opening opera oratorio orchestra organ original Passion performance piano piece played poem powerful Psalm published Requiem Robert Craft Saint score sense sing solo soloists song soprano sound story Stravinsky strings sung Symphony tenor third thought timpani tion trombones trumpets turn Vaughan violins voices writing written wrote