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" III wanted that tempest and whirlwind of the soul, that life and spirit, and dazzling rapidity of motion, which fills the stage, and burns in every part of it, when Mr Kean performs this character. To Mr Kean's acting in general, we might apply the lines... "
The Annual biography and obituary - Σελίδα 35
1824
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A View of the English Stage: Or, A Series of Dramatic Criticisms

William Hazlitt - 1818 - 282 σελίδες
...sear, the yellow leaf, which smote upon the heart, and remained there ever after. His Richard III. wanted that tempest and whirlwind of the soul, that...and spirit, and dazzling rapidity of motion, which fills the stage, and burns in every part of it, when Mr. Kean performs this character. To Mr. Kean's...

The London Magazine, Τόμος 7

1823 - 732 σελίδες
...and successful. His scenes with Hubert, and his death, wete as powerful as genius could make them. His death chilled the heart, as the touch of marble chills the hand; and it almost seemed that a monument was struggling with Fate ! The voice had a horror, a hollowness, supernatural ; and...

The London Magazine, Τόμος 7

1823 - 734 σελίδες
...and successful. His scenes with Hubert, and his death, were as powerful as genius coulil make them. His death chilled the heart, as the touch of marble chills the hand ; and it almoat seemed that a monument was straggling with Fate ! The voice bad. a horror, a hollowness, supernatural...

The Annual Biography and Obituary for the Year ..., Τόμος 8

1824 - 498 σελίδες
...was perhaps too collected, too weighty in the consideration of crime, too slow of apprehension, Jt wanted that tempest and whirlwind of the soul, that...heart, as the touch of marble chills the hand ; and it alrnost seemed as if a monument was wrestling with fate. His Lear was one of his finest performances....

Lives of eminent and illustrious Englishmen, ed. by G. G. Cunningham, Τόμος 14

Englishmen - 1837 - 286 σελίδες
...and successful. His scenes with Hubert, and his death, were as powerful as genius could make them. His death chilled the heart, as the touch of marble chills the hand ; and it almost seemed that a monument was struggling with fate ! The voice had a horror, a hollowness, supernatural ; and...

Criticisms and Dramatic Essays of the English Stage

William Hazlitt - 1851 - 364 σελίδες
...sear, the yellow leaf," — which smote upon the heart, and remained there ever after. His Eichard III. wanted that tempest and whirlwind of the soul, that...and spirit, and dazzling rapidity of motion, which fills the stage, and burns in every part of it, when Mr. Kean performs this character. To Mr. Kean's...

Criticisms and Dramatic Essays of the English Stage

William Hazlitt - 1851 - 360 σελίδες
...sear, the yellow leaf," — which smote upon the heart, and remained there ever after. His Richard III. wanted that tempest and whirlwind of the soul, that...and spirit, and dazzling rapidity of motion, which fills the stage, and burns in every part of it, when Mr. Kean performs this character. To Mr. Kean's...

The Collected Works of William Hazlitt, Τόμος 13

William Hazlitt - 1903 - 582 σελίδες
...sear, the yellow leaf,' which smote upon the heart, and remained there ever after. His Richard HI. wanted that tempest and whirlwind of the soul, that...and spirit, and dazzling rapidity of motion, which fills the stage, and bores in every part of it, when Mr. Kean performs this character. To Mr. Kean's...

A View of the English Stage: Or, A Series of Dramatic Criticisms

William Hazlitt - 1906 - 426 σελίδες
...sear, the yellow leaf,"1 which smote upon the heart, and remained there ever after. His Richard III* wanted that tempest and whirlwind of the soul, that...and spirit, and dazzling rapidity of motion, which fills the stage, and burns in every part of it, when Mr. Kean performs this character. To Mr. Kean's...

Romantic and Revolutionary Theatre, 1789-1860

Donald Roy - 2003 - 592 σελίδες
...next movement. instead of trusting to the true impulses of passion [. . .] [. . .] His Richard III wanted that tempest and whirlwind of the soul. that...and spirit. and dazzling rapidity of motion. which fills the stage. and burns in every part of it. when Mr Kean performs this character [. . .] Mr Kemble's...
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