Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
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Σελίδα 86
... Cambridge Shakespeare edition of the play ( Cambridge University Press , 1985 ) , pp . 8-32 , esp . p . 20 . 5 Shakespeare's Occasional Plays ( London : Edward Arnold , 1965 ) . 6 Grigori Kozintsev , Shakespeare : Time and Conscience ...
... Cambridge Shakespeare edition of the play ( Cambridge University Press , 1985 ) , pp . 8-32 , esp . p . 20 . 5 Shakespeare's Occasional Plays ( London : Edward Arnold , 1965 ) . 6 Grigori Kozintsev , Shakespeare : Time and Conscience ...
Σελίδα 94
... Cambridge : Cambridge Uni- versity Press , 1985 . Brooks , Cleanth , The Well Wrought Urn , New York : Harcourt , Brace : 1947 . Brown , John Russell , ' S. Franco Zeffirelli's Romeo and Juliet ' , Shakespeare Survey 15 ( 1962 ) ...
... Cambridge : Cambridge Uni- versity Press , 1985 . Brooks , Cleanth , The Well Wrought Urn , New York : Harcourt , Brace : 1947 . Brown , John Russell , ' S. Franco Zeffirelli's Romeo and Juliet ' , Shakespeare Survey 15 ( 1962 ) ...
Σελίδα 96
... Cambridge : Cambridge University Press , 1935 . Stanislavski , Constantin , An Actor Prepares , tr . Elizabeth Reynolds Hap- good , New York : Theatre Arts Books , 1936 . Building a Character , tr . Elizabeth Reynolds Hapgood , New ...
... Cambridge : Cambridge University Press , 1935 . Stanislavski , Constantin , An Actor Prepares , tr . Elizabeth Reynolds Hap- good , New York : Theatre Arts Books , 1936 . Building a Character , tr . Elizabeth Reynolds Hapgood , New ...
Περιεχόμενα
331 | 31 |
FINDING THE LANGUAGE | 50 |
VI | 62 |
Πνευματικά δικαιώματα | |
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action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex contemporary Cordelia Coriolanus costumes David Suchet dialogue Directing Shakespeare director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Players of Shakespeare Playing Shakespeare Plays in Performance Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion transposition Troilus and Cressida University Press words York