Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
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Σελίδα 76
... Political interpretation can thus be more subtle than , say , the adaptation of Macbeth into the frankly parodic Macbird . Directors are hardly above exploiting Shakespearean texts for political ends . Laurence Olivier's film of Henry V ...
... Political interpretation can thus be more subtle than , say , the adaptation of Macbeth into the frankly parodic Macbird . Directors are hardly above exploiting Shakespearean texts for political ends . Laurence Olivier's film of Henry V ...
Σελίδα 77
... political effect ; just the staging of a particular play at a particular time may be enough to bring forth a political issue inherent in the text . Ian McKellen reports on a surprising audience response to Richard II in 1969 when the ...
... political effect ; just the staging of a particular play at a particular time may be enough to bring forth a political issue inherent in the text . Ian McKellen reports on a surprising audience response to Richard II in 1969 when the ...
Σελίδα 79
... political or social or both . While it can provide unity for a production , it may do so by overriding other aspects of the play or losing them altogether . John Russell Brown vehemently objects to this approach to Shakespeare and ...
... political or social or both . While it can provide unity for a production , it may do so by overriding other aspects of the play or losing them altogether . John Russell Brown vehemently objects to this approach to Shakespeare and ...
Περιεχόμενα
331 | 31 |
FINDING THE LANGUAGE | 50 |
VI | 62 |
Πνευματικά δικαιώματα | |
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action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex contemporary Cordelia Coriolanus costumes David Suchet dialogue Directing Shakespeare director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Players of Shakespeare Playing Shakespeare Plays in Performance Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion transposition Troilus and Cressida University Press words York