Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
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Σελίδα 46
... John Barton viewed the situation , entirely open , and many other directors have since adopted that view . Hence , Estelle Kohler as Isabella in Barton's production could reasonably choose at the end to remain bewildered and dismayed at ...
... John Barton viewed the situation , entirely open , and many other directors have since adopted that view . Hence , Estelle Kohler as Isabella in Barton's production could reasonably choose at the end to remain bewildered and dismayed at ...
Σελίδα 51
... John Barton , however , describes a number of ways actors can overcome the disadvantages time has brought , ways through which they can wed the ' two trad- itions ' , the old and the new . He emphasizes the need to use the verse , to ...
... John Barton , however , describes a number of ways actors can overcome the disadvantages time has brought , ways through which they can wed the ' two trad- itions ' , the old and the new . He emphasizes the need to use the verse , to ...
Σελίδα 88
... Barton , p . 185 . 13 So successful was the television production , that the stage version closed a week later . 14 Cp . Ian McKellen on John Barton's production of the play , set in the last days of the Empire in India : ' I thought ...
... Barton , p . 185 . 13 So successful was the television production , that the stage version closed a week later . 14 Cp . Ian McKellen on John Barton's production of the play , set in the last days of the Empire in India : ' I thought ...
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action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex Cordelia Coriolanus costumes David Suchet dialogue director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines mance means Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Playing Shakespeare plays in performance political Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shakespeare's text Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion tragedy transposition Troilus and Cressida University Press words