Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
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Σελίδα 14
... Kathleen Widdoes , appeared as a sprightly young woman of her time , her outspokenness underlined by her daring to sneak a cigarette and other bits of added stage business . But throughout she remained Shakespeare's Beatrice , and in ...
... Kathleen Widdoes , appeared as a sprightly young woman of her time , her outspokenness underlined by her daring to sneak a cigarette and other bits of added stage business . But throughout she remained Shakespeare's Beatrice , and in ...
Σελίδα 26
... Kathleen Widdoes , was a woman of her time , but also outspoken and daring - an early version of feminism quite consistent with Shakespeare's characterization . ( Her sneaking a cigarette on the porch and sharing it among her nervous ...
... Kathleen Widdoes , was a woman of her time , but also outspoken and daring - an early version of feminism quite consistent with Shakespeare's characterization . ( Her sneaking a cigarette on the porch and sharing it among her nervous ...
Σελίδα 58
... Kathleen Widdoes playing Beatrice pronounces ' Signior Mountanto ' ( ' Signior Mount - on - to ' ) . But that is really pushing the joke , and a performance can tolerate only a little of this sort of thing . Ambiguities can be serious ...
... Kathleen Widdoes playing Beatrice pronounces ' Signior Mountanto ' ( ' Signior Mount - on - to ' ) . But that is really pushing the joke , and a performance can tolerate only a little of this sort of thing . Ambiguities can be serious ...
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action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex Cordelia Coriolanus costumes David Suchet dialogue director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines mance means Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Playing Shakespeare plays in performance political Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shakespeare's text Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion tragedy transposition Troilus and Cressida University Press words