Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
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Σελίδα 38
... actresses have divided into two schools of thought concerning Macbeth's wife . ' Is she a " fiend " a terrible ... actress can assay the role of Lady Macbeth , she must answer these questions , at least in a prelimi- nary way ...
... actresses have divided into two schools of thought concerning Macbeth's wife . ' Is she a " fiend " a terrible ... actress can assay the role of Lady Macbeth , she must answer these questions , at least in a prelimi- nary way ...
Σελίδα 45
... actress in the role will usually indicate which she has chosen very early , its fullest expression may not become manifest until the final scene . There she must react to the Duke's repeated proposal of marriage , and how she responds ...
... actress in the role will usually indicate which she has chosen very early , its fullest expression may not become manifest until the final scene . There she must react to the Duke's repeated proposal of marriage , and how she responds ...
Σελίδα 57
... actress finds the right tone and tempo for this speech , she can also avoid sounding maudlin in the Willow Song , when it comes a few lines later . A touch of self - deprecating humour at lines 30-33 will not be amiss , if delivered ...
... actress finds the right tone and tempo for this speech , she can also avoid sounding maudlin in the Willow Song , when it comes a few lines later . A touch of self - deprecating humour at lines 30-33 will not be amiss , if delivered ...
Περιεχόμενα
FINDING THE TEXT | 7 |
FINDING THE SET DESIGN | 20 |
MUSIC AND OTHER EFFECTS | 62 |
Πνευματικά δικαιώματα | |
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Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex Cordelia Coriolanus costumes David Suchet dialogue director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines mance means Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Playing Shakespeare plays in performance political Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shakespeare's text Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion tragedy transposition Troilus and Cressida University Press words