Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
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Αποτελέσματα 1 - 3 από τα 27.
Σελίδα 3
... chapter title begins with ' Finding ' . One finds what one looks for , of course , but without some knowledge of what kinds of thing to look for , one is likely to miss a great deal . Hence , the reader will notice chapters on ' Finding ...
... chapter title begins with ' Finding ' . One finds what one looks for , of course , but without some knowledge of what kinds of thing to look for , one is likely to miss a great deal . Hence , the reader will notice chapters on ' Finding ...
Σελίδα 5
... chapters of this book are linked progressively but are not so tightly connected that one cannot dip into any single chapter without having read what precedes it . The first chapter , on finding the text , assumes that the text , or ...
... chapters of this book are linked progressively but are not so tightly connected that one cannot dip into any single chapter without having read what precedes it . The first chapter , on finding the text , assumes that the text , or ...
Σελίδα 89
... Chapter IV 1 Although this term was not used in the previous chapter - if only because it deserves a chapter of its own - its importance was frequently suggested , as for example in Gemma Jones's reference to her ' interior monologues ...
... Chapter IV 1 Although this term was not used in the previous chapter - if only because it deserves a chapter of its own - its importance was frequently suggested , as for example in Gemma Jones's reference to her ' interior monologues ...
Περιεχόμενα
FINDING THE TEXT | 7 |
FINDING THE SET DESIGN | 20 |
MUSIC AND OTHER EFFECTS | 62 |
Πνευματικά δικαιώματα | |
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action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex Cordelia Coriolanus costumes David Suchet dialogue director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines mance means Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Playing Shakespeare plays in performance political Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shakespeare's text Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion tragedy transposition Troilus and Cressida University Press words