Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
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Σελίδα 8
... example , is now accepted by many as existing in two significantly different Shakespearean forms : an early quarto printed in 1608 that may derive from Shakespeare's manuscript , and a later revised version published in the great folio ...
... example , is now accepted by many as existing in two significantly different Shakespearean forms : an early quarto printed in 1608 that may derive from Shakespeare's manuscript , and a later revised version published in the great folio ...
Σελίδα 18
... example , cannot be found in Ran , and the three daughters are replaced by three sons . In Throne of Blood , fatalism rather than diabolism takes over , and the sterility of the Macbeths is made literal.25 The exigencies of television ...
... example , cannot be found in Ran , and the three daughters are replaced by three sons . In Throne of Blood , fatalism rather than diabolism takes over , and the sterility of the Macbeths is made literal.25 The exigencies of television ...
Σελίδα 66
... example , the Folio of 1623 gives the following stage direction at line 36 : ' Enter the Ghost of Banquo , and sits ... examples of the director's or actor's inventiveness which misfired completely , spoiling or distorting the ...
... example , the Folio of 1623 gives the following stage direction at line 36 : ' Enter the Ghost of Banquo , and sits ... examples of the director's or actor's inventiveness which misfired completely , spoiling or distorting the ...
Περιεχόμενα
FINDING THE TEXT | 7 |
FINDING THE SET DESIGN | 20 |
MUSIC AND OTHER EFFECTS | 62 |
Πνευματικά δικαιώματα | |
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Συχνά εμφανιζόμενοι όροι και φράσεις
action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex Cordelia Coriolanus costumes David Suchet dialogue director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines mance means Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Playing Shakespeare plays in performance political Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shakespeare's text Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion tragedy transposition Troilus and Cressida University Press words