Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
Αναζήτηση στο βιβλίο
Αποτελέσματα 1 - 3 από τα 14.
Σελίδα 39
... feelings and thoughts an actor must have to produce effective , honest representation . For example , in the chapter on ' Adaptation ' , Tortsov says to his students : Do you suppose that words can exhaust all the nicest shadings of the ...
... feelings and thoughts an actor must have to produce effective , honest representation . For example , in the chapter on ' Adaptation ' , Tortsov says to his students : Do you suppose that words can exhaust all the nicest shadings of the ...
Σελίδα 40
... feelings reach down into the subtextual stream that the " through line of action " of a play or part comes into being ' . And it is this ' through line of action ' that to him is all - important in successful theatrical representation ...
... feelings reach down into the subtextual stream that the " through line of action " of a play or part comes into being ' . And it is this ' through line of action ' that to him is all - important in successful theatrical representation ...
Σελίδα 54
... feeling to distort highly - wrought areas of language and so make them obscure . In fact of course the feelings require those words , and only those words , to define them and make them communicable – it is all one thing , the ...
... feeling to distort highly - wrought areas of language and so make them obscure . In fact of course the feelings require those words , and only those words , to define them and make them communicable – it is all one thing , the ...
Περιεχόμενα
FINDING THE TEXT | 7 |
FINDING THE SET DESIGN | 20 |
MUSIC AND OTHER EFFECTS | 62 |
Πνευματικά δικαιώματα | |
2 άλλες ενότητες δεν εμφανίζονται
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex Cordelia Coriolanus costumes David Suchet dialogue director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines mance means Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Playing Shakespeare plays in performance political Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shakespeare's text Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion tragedy transposition Troilus and Cressida University Press words