Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
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Σελίδα 28
... perhaps too laid - back even for Shakes- peare's Vincentio , but Angelo and Isabella were the puritanical characters of the original . Little of the text was cut , and some songs and music were added . Although the basic conception for ...
... perhaps too laid - back even for Shakes- peare's Vincentio , but Angelo and Isabella were the puritanical characters of the original . Little of the text was cut , and some songs and music were added . Although the basic conception for ...
Σελίδα 63
... perhaps actors ' – interpolations . The bracketed stage directions of responsible modern editions show where editors have emended to help clarify the situation for the reader or actor , though earlier editors did not always indicate ...
... perhaps actors ' – interpolations . The bracketed stage directions of responsible modern editions show where editors have emended to help clarify the situation for the reader or actor , though earlier editors did not always indicate ...
Σελίδα 79
... perhaps precious little coherence in a performance of this kind , especially since the actors never had the full text of the play in their hands . They were given only their own parts and their cues . They of course had to listen well ...
... perhaps precious little coherence in a performance of this kind , especially since the actors never had the full text of the play in their hands . They were given only their own parts and their cues . They of course had to listen well ...
Περιεχόμενα
FINDING THE TEXT | 7 |
FINDING THE SET DESIGN | 20 |
MUSIC AND OTHER EFFECTS | 62 |
Πνευματικά δικαιώματα | |
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Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex Cordelia Coriolanus costumes David Suchet dialogue director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines mance means Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Playing Shakespeare plays in performance political Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shakespeare's text Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion tragedy transposition Troilus and Cressida University Press words