Understanding Shakespeare's Plays in PerformanceManchester University Press, 1988 - 100 σελίδες Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does. |
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Σελίδα 32
... sometimes well - documented and celebrated productions . Thus Antony Sher in 1984 had to find a different Richard III , playing against the character as Olivier had portrayed him in the famous film that has had widespread and repeated ...
... sometimes well - documented and celebrated productions . Thus Antony Sher in 1984 had to find a different Richard III , playing against the character as Olivier had portrayed him in the famous film that has had widespread and repeated ...
Σελίδα 58
... Sometimes , if a pun is practically spelled out for us , we can get it readily enough , as Kathleen Widdoes playing Beatrice pronounces ' Signior Mountanto ' ( ' Signior Mount - on - to ' ) . But that is really pushing the joke , and a ...
... Sometimes , if a pun is practically spelled out for us , we can get it readily enough , as Kathleen Widdoes playing Beatrice pronounces ' Signior Mountanto ' ( ' Signior Mount - on - to ' ) . But that is really pushing the joke , and a ...
Σελίδα 63
... sometimes to enliven a scene , sometimes to heighten the comedy or tragedy , sometimes just to show off their inventiveness . The Royal Shakespeare Company's production of The Taming of the Shrew in 1978 , directed by Michael Bogdanov ...
... sometimes to enliven a scene , sometimes to heighten the comedy or tragedy , sometimes just to show off their inventiveness . The Royal Shakespeare Company's production of The Taming of the Shrew in 1978 , directed by Michael Bogdanov ...
Περιεχόμενα
FINDING THE TEXT | 7 |
FINDING THE SET DESIGN | 20 |
MUSIC AND OTHER EFFECTS | 62 |
Πνευματικά δικαιώματα | |
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Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
action actors actress Adrian Noble alterations ambiguity Ariel aspects audience become Brook Cambridge chapter coherence comedy complex Cordelia Coriolanus costumes David Suchet dialogue director discussion dramatic editions effect Elizabethan emphasize essential example experience Falstaff feelings film Finding the Subtext finding the text Fool Grigori Kozintsev Guthrie Hamlet Henry Hippolyta Ibid III.i imagery imagination Isabella John Barton John Russell Brown Kathleen Widdoes kind King Lear Kozintsev Lear's lines mance means Measure for Measure Michael modern Olivier original overall interpretation Patrick Stewart peare perhaps Playing Shakespeare plays in performance political Prospero question Ralph Berry rehearsals Richard role Romeo and Juliet Royal Shakespeare Company RSC production says scene script set design Shakes Shakespeare London Shakespeare's plays Shakespeare's text Shylock sometimes speech stage business stage directions Stanislavski Stratford Stratford-upon-Avon Suchet television theatregoers theatrical tion tragedy transposition Troilus and Cressida University Press words