Brian Friel: Decoding the Language of the TribeLiffey Press, 2002 - 188 σελίδες This book looks at the political and social aspects of Friel's drama, In the context of the development of modern Ireland. The plays' preoccupations are located in the framework of their internal, Historical and literary time, and against the backdro |
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Σελίδα 20
... political purpose . In another Irish Times article , playwright Thomas Kilroy spoke of the company's work exemplifying " the way in which ... theatre could cast a light upon contemporary politics in Ireland , north and south " ( Irish ...
... political purpose . In another Irish Times article , playwright Thomas Kilroy spoke of the company's work exemplifying " the way in which ... theatre could cast a light upon contemporary politics in Ireland , north and south " ( Irish ...
Σελίδα 32
... politics in the Irish con- text . From the ballads of 1798 and the political aisling , Irish art has always had a political dimension , so much so that the poet Seamus Heaney had been criticised for not being more overtly political ...
... politics in the Irish con- text . From the ballads of 1798 and the political aisling , Irish art has always had a political dimension , so much so that the poet Seamus Heaney had been criticised for not being more overtly political ...
Σελίδα 80
... political play , politics , in the sense of the changing dynamic in the relationships between discrete social groupings , permeates the play . Eamon and Willie are two aspects of the peasant re- sponse to the ascendancy . While Willie ...
... political play , politics , in the sense of the changing dynamic in the relationships between discrete social groupings , permeates the play . Eamon and Willie are two aspects of the peasant re- sponse to the ascendancy . While Willie ...
Περιεχόμενα
Historical Tribes | 5 |
Chapter | 35 |
Chapter Three | 71 |
Πνευματικά δικαιώματα | |
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Anna Aristocrats artist attempt audience ballad Ballybeg becomes beginning Big House Brian Friel British Casimir Cass McGuire Catholic characters colonial Columba Communication Cord conflict cottage County Donegal cultural Dancing at Lughnasa Dantanus Derry described discourse Doalty Dodds Donegal Donovan drama Dublin Eamon emotional English Eugene O'Brien Faber fact Faith Healer father Frank Frank Hardy Freedom Friel's plays Gaelic Gallery Press Gar's Gentle Island guage Guildhall Hugh Ireland Irish language Jack Kate Keeney Keeney's Lancey Leif Lily linguistic Living Quarters Lombard London Loughcrew Lugh Máire Manus McGrath means memory Molly Sweeney monologues mother Murray Nora O'Brien O'Donnell O'Neill O'Toole opens past peasant Philadelphia place names political present reality republican says scene Seamus Deane Skinner Smiler social speaks speech stage status story symbolism Teddy Theatre theatrical theme tion tradition Translations tribe Trilbe truth Valera voice Volunteers Widgery Tribunal Wonderful Tennessee words Yolland