Greek, Roman and Byzantine Studies, Τόμοι 1-3Duke University, 1958 |
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Σελίδα 140
... play which never covers opera . The setting of the play before the palace ( dóμois frg . 277P ) of King Inachus further militates against the satyric hypothesis . The action of tragedies regularly took place before palace fronts while ...
... play which never covers opera . The setting of the play before the palace ( dóμois frg . 277P ) of King Inachus further militates against the satyric hypothesis . The action of tragedies regularly took place before palace fronts while ...
Σελίδα 111
... play is , on the one hand , a pastiche of rhetorical pieces , 5 on the other , a com- plex of subtle and dark levels of meaning . At any rate critical comment has generally maintained that the significance of the play and so also its ...
... play is , on the one hand , a pastiche of rhetorical pieces , 5 on the other , a com- plex of subtle and dark levels of meaning . At any rate critical comment has generally maintained that the significance of the play and so also its ...
Σελίδα 171
... play ) is explained by the chorus's dramatic role : it is the play's true protagonist . But perhaps most important of all as an argument for late dating is the conception of Zeus set forth 11. 85ff and 524 . 16Cf . Lesky's discussion of ...
... play ) is explained by the chorus's dramatic role : it is the play's true protagonist . But perhaps most important of all as an argument for late dating is the conception of Zeus set forth 11. 85ff and 524 . 16Cf . Lesky's discussion of ...
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